本文選題：人文素養(yǎng) + 樂感��； 參考：《湖南師范大學(xué)》2006年碩士論文

【摘要】： 鋼琴演奏是一門復(fù)雜的藝術(shù)，它需要演奏者具有淵博的知識和廣闊的藝術(shù)視野去分析和把握作品的風(fēng)格和內(nèi)涵；憑借良好的音樂感受，運用精湛的演奏技巧去細膩而感性的詮釋音樂作品。鋼琴演奏作為綜合技藝來說，包括演奏者、音樂和樂器三者組成；本文就鋼琴演奏中演奏者所應(yīng)有的素質(zhì)進行詳細的闡述。首先，最重要的就是對音樂的理解，而正確的理解音樂需要演奏者具備良好的人文素養(yǎng)。鋼琴演奏者必須開闊修養(yǎng)的范疇，廣采博收，厚積薄發(fā)；只有這樣才能使自身的藝術(shù)素養(yǎng)得到全面的提高。鋼琴演奏者演奏作品就像演員塑造一個角色，一部作品的成功與失敗其關(guān)鍵在于演員對于創(chuàng)作和表演方面的內(nèi)在和外在修養(yǎng)；而鋼琴演奏也是表演藝術(shù)之一，演奏者的思想道德，品質(zhì)情操、文學(xué)與藝術(shù)知識是一種豐富的創(chuàng)作底蘊；擁有豐富知識的人對于事物的理解有著獨特的見解和深度，是構(gòu)筑藝術(shù)大廈的基石。其次，音樂來源于生活，，音樂作品本身的意義是要以情動人，演奏者應(yīng)該從生活當中去積累創(chuàng)作的靈感，從而表現(xiàn)生活的真善美。許多作品都是生活的藝術(shù)再現(xiàn)，由于創(chuàng)作環(huán)境的區(qū)別，作品所傳達的意義是不同的。演奏者憑借個人的人文素養(yǎng)培養(yǎng)出敏銳的音樂感受，從而更好的擴大作品的影響力和感染力，給人留下深刻的印象；為藝術(shù)大廈錦上添花。第三，一個合格的演奏者必須具有堅實而深厚的技術(shù)基礎(chǔ)：演奏速度、力度、靈敏性與持久的耐力。才能克服演奏過程中可能遇到的困難，使藝術(shù)大廈擁有穩(wěn)固的結(jié)構(gòu)，達到演奏的最高境界。 綜上所述，充分地證明了鋼琴演奏中的人文素養(yǎng)、樂感與演奏技巧三者的關(guān)系是辨證統(tǒng)一的。只有把握好三者之間的邏輯關(guān)系，才能獲得完美的音樂表現(xiàn)。
[Abstract]:Piano playing is a complex art, which requires the performer to have profound knowledge and broad artistic vision to analyze and grasp the style and connotation of the work, and to rely on good musical feelings, Use exquisite performance skills to elaborate and sensual interpretation of musical works. Piano playing, as a comprehensive skill, consists of players, music and musical instruments. First of all, the most important thing is to understand the music, and the correct understanding of music requires the performer to have good humanistic literacy. Piano players must broaden the scope of cultivation, extensive collection, thick and thin, only in this way to make their own artistic literacy to be comprehensively improved. A piano performer is like an actor in shaping a role. The key to the success and failure of a piece of work lies in the actors' inner and external cultivation in creation and performance, and piano playing is also one of the performing arts. The person with rich knowledge has a unique view and depth of understanding of things and is the cornerstone of building art edifice. Secondly, music comes from life, the meaning of music itself is to move with emotion, players should accumulate creative inspiration from life, so as to express the truth, goodness and beauty of life. Many works are artistic reproduction of life, because of the difference of creation environment, the meaning of works is different. Players with personal humanistic literacy to cultivate a keen sense of music, so as to better expand the impact and appeal of the work, leaving a deep impression; for the art building icing on the cake. Third, a qualified performer must have a solid and deep technical foundation: speed, strength, agility, and endurance. In order to overcome the difficulties that may be encountered in the performance process, the art building has a solid structure to achieve the highest level of performance. To sum up, it fully proves that the relationship between humanistic accomplishment, musical feeling and performance skill is dialectical and unified. Only by grasping the logical relationship between the three, can we get the perfect performance of music.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J624.1

【參考文獻】

相關(guān)期刊論文 前4條

1 常敬儀;陳培勛五首粵調(diào)鋼琴曲評析[J];鋼琴藝術(shù);1999年06期

2 丁好;論鋼琴觸鍵技術(shù)的發(fā)展[J];黃鐘(中國.武漢音樂學(xué)院學(xué)報);2005年01期

3 瓊·普斯韋爾;李璉亮;;肖邦的鋼琴教學(xué)[J];音樂藝術(shù);1986年01期

4 張前;為了發(fā)展中國的鋼琴音樂——儲望華鋼琴創(chuàng)作交談錄[J];中央音樂學(xué)院學(xué)報;1982年01期

本文編號：2053405