本文選題：海頓 + 弦樂四重奏　； 參考：《武漢音樂學院》2006年碩士論文

【摘要】： 本文以海頓的弦樂四重奏為研究對象,以作品的結(jié)構(gòu)和織體為切入點,將海頓的弦樂四重奏放在西方音樂從復調(diào)到主調(diào)轉(zhuǎn)變的歷史背景中進行研究,根據(jù)結(jié)構(gòu)和織體的特點對海頓弦樂四重奏的發(fā)展過程進行階段劃分,歸納各個階段的特征。在此基礎(chǔ)上,結(jié)合社會背景,音樂風格轉(zhuǎn)變等因素,對海頓弦樂四重奏不同階段特征的成因進行分析和總結(jié),并對海頓為解決重奏體裁的內(nèi)在要求與音樂發(fā)展的時代潮流之間的矛盾以及海頓為確立弦樂四重奏的古典典范所做出的貢獻進行評價。 正文分三個部分,第一章介紹弦樂四重奏的早期發(fā)展及海頓音樂創(chuàng)作的情況,涉及三重奏鳴曲到弦樂四重奏的發(fā)展過程和海頓的音樂創(chuàng)作分期;第二章對海頓的弦樂四重奏進行形態(tài)分析,從結(jié)構(gòu)和織體方面對海頓弦樂四重奏四個時期的特征進行歸納總結(jié);第三章討論海頓弦樂四重奏的歷史成因。在結(jié)語中對其歷史作用進行總結(jié),肯定了海頓為確立弦樂四重奏古典典范所做出的貢獻。
[Abstract]:Taking Haydn's string quartet as the research object and the structure and texture of his works as the starting point, this paper puts Haydn's string quartet in the historical background of the transition from polyphony to main tone in western music. According to the characteristics of structure and texture, the development process of Haydn string quartet is divided into stages and the characteristics of each stage are summarized. On this basis, combined with social background, music style change and other factors, this paper analyzes and summarizes the causes of the different stage characteristics of Haydn string quartet. The paper also evaluates Haydn's contribution to the establishment of classical string quartet, as well as the contradiction between the inherent requirements of the ensemble genre and the trend of music development. The text is divided into three parts. The first chapter introduces the early development of string quartet and Haydn's music creation, including the development process from triplet sonata to string quartet and Haydn's musical creation stages. The second chapter analyzes Haydn's string quartet, summarizes the characteristics of Haydn string quartet in terms of structure and texture, and discusses the historical causes of Haydn string quartet. The conclusion summarizes its historical role and affirms Haydn's contribution to the establishment of classical string quartet.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J627

【引證文獻】

相關(guān)碩士學位論文 前2條

1 高莉莉;論弦樂四重奏在歐洲古典主義時期的發(fā)展[D];東北師范大學;2008年

2 杜雅琴;論海頓《D大調(diào)鋼琴協(xié)奏曲》的藝術(shù)特色[D];湖南師范大學;2010年

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本文編號：1965937