莊奴歌詞藝術(shù)探析
本文選題:莊奴 + 歌詞藝術(shù); 參考:《曲阜師范大學(xué)》2013年碩士論文
【摘要】:早在六七十年代,臺灣著名歌星鄧麗君蜚聲海內(nèi)外,她的甜歌為大陸朋友所熟悉。鄧麗君的很多歌曲都成為經(jīng)典,這些經(jīng)典歌曲百聽不厭,不僅是因?yàn)榍{(diào)的優(yōu)美動聽,更因?yàn)楦柙~深厚的內(nèi)涵依然打動著我們。鄧麗君80%以上的歌曲都是由莊奴創(chuàng)作或填寫的歌詞,莊奴的歌詞通俗易懂而又富有詩意,唱起來很順口,聽起來很有韻味。莊奴的歌詞提高了流行歌曲的文化品位和社會地位,這引起了我對他的歌詞藝術(shù)研究的興趣。經(jīng)過大量的資料搜索發(fā)現(xiàn),關(guān)于莊奴以及他的歌詞的論文特別少,目前還沒有研究莊奴歌詞藝術(shù)的書籍或碩博論文,這個空缺使本論文的選題比較新穎。本論文試圖從莊奴的歌詞文本出發(fā),從四個方面詳細(xì)地論述莊奴的歌詞藝術(shù)。 第一章對莊奴主要的人生經(jīng)歷和不同時期的代表作品進(jìn)行簡要的介紹。莊奴,原名王景羲,1922年生于北京。與喬羽、黃沾并稱詞壇“三杰”。50多年來,他寫了3000多首歌詞,那些我們耳熟能詳?shù)母枨短鹈勖邸、《小城故事》、《又見炊煙》、《原鄉(xiāng)人》、《踏浪》的詞均出自他的手。 第二章從歌詞創(chuàng)作的美學(xué)角度分析莊奴歌詞的美學(xué)特征。莊奴的歌詞清新秀麗,表達(dá)的感情至真至純,他在歌詞創(chuàng)作中吟風(fēng)弄月采用很多大自然的意象,使歌詞產(chǎn)生情景交融的意境美,,他還特別注重歌詞的語言美,使歌詞語言本身就有旋律和節(jié)奏感,為了譜曲和歌唱的方便,他努力選擇寬韻的字詞,避免生僻字,為曲作家和演唱者留下很大的發(fā)揮空間。除此,他在創(chuàng)作中運(yùn)用了多種修辭手法,使情思的表達(dá)更為生動。 第三章探索莊奴歌詞藝術(shù)成功的因素。在六七十年代,莊奴的愛情歌曲能夠這么流行且今天依然受到人們的喜愛實(shí)在是一個奇跡,所以探索莊奴歌詞藝術(shù)成功的因素很有意義,這些成功的因素可以為音樂界的發(fā)展提供借鑒。莊奴歌詞藝術(shù)的成功,除了他的歌詞自身的魅力外,還有其他的一些因素。本章從莊奴與曲作家的默契配合以及莊奴與鄧麗君的相互作用二個方面進(jìn)行探析。 第四章探索莊奴歌詞藝術(shù)的貢獻(xiàn)及影響。莊奴為當(dāng)代詞壇及臺灣電影事業(yè)做出了很大的貢獻(xiàn),他的歌曲影響了一代人甚至幾代人,極大的豐富了人們的精神生活。莊奴成就了一代歌后鄧麗君,后期又培養(yǎng)了不少弟子。 莊奴的歌詞是歌詞界的寶貴財富,很值得歌詞創(chuàng)作愛好者研究與借鑒。本論文能夠彌補(bǔ)莊奴歌詞藝術(shù)研究領(lǐng)域的空缺,為今后的歌詞理論研究,尤其是歌詞作家的個案研究起到拋磚引玉、探驪尋珠的作用。
[Abstract]:As early as the 1960 s and 1970 s, famous Taiwanese singer Deng Lijun became famous at home and abroad, her sweet songs were familiar to her mainland friends. Many of Deng Lijun's songs have become classics, and these classic songs are never tired of listening, not only because of the beautiful melody, but also because of the profound meaning of the lyrics still moved us. More than 80% of Deng Lijun songs are written or filled in by Chuang Nu, whose lyrics are easy to understand and poetic. Zhuangnu's lyrics raised the cultural taste and social status of pop songs, which aroused my interest in his lyric art research. After a great deal of data search, we find that there are few papers about Zhuangu and his lyrics, and there are no books or papers on Zhuangu's lyric art. This vacancy makes the topic of this thesis relatively novel. This thesis tries to discuss Zhuangu's lyric art from four aspects. The first chapter briefly introduces Zhuangu's main life experience and representative works of different periods. Zhuang Nu, originally named Wang Jingxi, was born in Beijing in 1922. Over the past 50 years or so, he has written more than 3000 lyrics in "San Jie" and "San Jie" in the field of ci. The words of "sweet honey", "story of small town", "smoke from the kitchen", "people of the original country", and "the waves" are all written by him. The second chapter analyzes the aesthetic characteristics of Zhuangnu lyrics from the aesthetic point of view of lyric creation. Chuang Nu's lyrics are fresh and beautiful, and the feelings expressed are as pure as they are. In his lyric creation, he uses a lot of natural images to make the lyrics beautiful. He also pays special attention to the language beauty of the lyrics. For the convenience of composing and singing, he tried to choose the words with wide rhyme, avoid the unfamiliar words, and leave great room for the songwriters and singers. In addition, he used a variety of rhetorical devices to make the expression of feelings more vivid. The third chapter explores the factors that contribute to the success of Zhuangu's lyric art. In the sixties and seventies, it was a miracle that Zhuangu's love songs were so popular and still loved by people today, so it is very meaningful to explore the factors that make the art of Zhuangu's lyrics successful. These successful factors can provide a reference for the development of the music industry. Besides the charm of his lyrics, there are some other factors in the success of Zhuangnu's lyric art. This chapter analyzes the tacit cooperation between Zhuangu and the writer and the interaction between Zhuangu and Deng Lijun. Chapter four explores the contribution and influence of Zhuangu's lyric art. Chuang Nu has made great contributions to the contemporary ci poetry and Taiwan film career, his songs have influenced a generation or even generations of people, greatly enriched people's spiritual life. Zhuang Nu made a generation after the song Deng Lijun, and later raised many disciples. Zhuangnu's lyrics are the precious wealth of the lyric circle, which is worth studying and drawing lessons from the lyric creation enthusiasts. This thesis can make up for the vacancy in the research field of Zhuangnu's lyric art, and play an important role in the theoretical study of lyrics, especially in the case study of lyric writers.
【學(xué)位授予單位】:曲阜師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J614.9
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 彭英姿;;鄧麗君歌曲流行之成因探析[J];寧波廣播電視大學(xué)學(xué)報;2009年03期
2 李爽;;鄧麗君音樂流行因素探析[J];黃河之聲;2011年05期
3 陳元洪;山城故事一樣多──訪臺灣著名歌詞作家莊奴[J];臺聲;1998年11期
4 陳元洪;;游子回鄉(xiāng)詠故園——訪臺灣著名歌詞作家莊奴先生[J];統(tǒng)一論壇;1997年01期
5 陶東風(fēng);;鄧麗君:歌聲依舊在人間[J];同舟共進(jìn);2008年12期
6 楊艷麗;;從城市民族音樂學(xué)視角看“鄧麗君現(xiàn)象”——關(guān)于鄧麗君歌曲在大陸、臺灣和日本的流行原因研究[J];樂府新聲(沈陽音樂學(xué)院學(xué)報);2009年03期
7 孫允文;對音樂文學(xué)專業(yè)的思考[J];中國音樂;1999年03期
相關(guān)碩士學(xué)位論文 前5條
1 曹軍英;方文山歌詞藝術(shù)的多維論析[D];西南大學(xué);2011年
2 曲濤;論音樂文學(xué)情感表現(xiàn)[D];曲阜師范大學(xué);2007年
3 武勝;喬羽的歌詞世界和美學(xué)特征[D];曲阜師范大學(xué);2009年
4 王玲蘭;鄧麗君歌唱藝術(shù)成就研究[D];河南大學(xué);2009年
5 孟麗;喬羽歌詞藝術(shù)微探[D];山東大學(xué);2010年
本文編號:1927439
本文鏈接:http://sikaile.net/wenyilunwen/qiyueyz/1927439.html