本文選題：建國以來 + 政治經(jīng)濟文化　； 參考：《華中師范大學(xué)》2006年碩士論文

【摘要】： 聲樂藝術(shù)不僅是一種技術(shù),更是一種文化。它與各個時期和階段的政治、經(jīng)濟、文化等各方面有著緊密的聯(lián)系,不同時期的政治、經(jīng)濟、文化背景從而形成人們特定的文化心理與審美觀念,進(jìn)而形成特定的聲樂藝術(shù)文化觀念。建國50多年來,我國聲樂藝術(shù)的發(fā)展經(jīng)歷了一個風(fēng)風(fēng)雨雨的曲折過程,每一個階段的發(fā)展都伴隨著聲樂藝術(shù)觀念的變化與更新,正是這種觀念的更新,才推動我國聲樂藝術(shù)逐漸走向成熟和完善、由單一走向多元化。 本論文以建國以來我國聲樂藝術(shù)文化觀念的變遷為其研究對象,全文共分為四個章節(jié):論文第一章主要闡述了建國17年我國聲樂藝術(shù)的發(fā)展?fàn)顩r及其文化特征。第二章主要闡述了“文革十年”由于政治的動蕩對我國聲樂藝術(shù)的正常發(fā)展所產(chǎn)生的嚴(yán)重影響。第三章主要闡述了“改革開放”對我國聲樂藝術(shù)的發(fā)展所帶來的深刻變化及其本階段聲樂藝術(shù)的文化特征。第四章主要闡述了在多元化、全球化的背景下,對我國未來聲樂藝術(shù)發(fā)展的展望。 總之,建國之后的這一時期是我國聲樂藝術(shù)全面建設(shè)發(fā)展和走向成熟的時期,是我國聲樂史上一個非常重要的時代。對這一時期各階段聲樂藝術(shù)觀念的探索與研究具有非常重要的意義:它有利于人們更加深刻的認(rèn)識這段時期聲樂藝術(shù)發(fā)展的內(nèi)在本質(zhì)與規(guī)律,有利于人們把聲樂藝術(shù)現(xiàn)象與當(dāng)時的政治背景、人們的思想觀念和審美意識結(jié)合起來,有利于人們對未來我國聲樂藝術(shù)發(fā)展的展望。
[Abstract]:Vocal music art is not only a technology, but also a culture. It is closely related to the political, economic, cultural and other aspects of each period and stage. The political, economic and cultural backgrounds of different periods form people's specific cultural psychology and aesthetic concept. Then forms the specific vocal music artistic culture idea. In the 50 years since the founding of the people's Republic of China, the development of vocal music art in our country has experienced a tortuous process, and the development of each stage has been accompanied by the change and renewal of the concept of vocal music art. Only then promote our country vocal music art to be mature and perfect gradually, from single to pluralistic. This thesis focuses on the change of vocal music art cultural concept since the founding of the people's Republic of China. The thesis is divided into four chapters: the first chapter mainly expounds the development and cultural characteristics of vocal music art in China during the 17 years since the founding of the people's Republic of China. The second chapter mainly expounds the serious influence of the ten years of the Cultural Revolution on the normal development of vocal music art in China due to the political turmoil. The third chapter mainly expounds the profound changes brought about by "reform and opening up" to the development of vocal music art in China and the cultural characteristics of vocal music art in this stage. The fourth chapter mainly expounds the future development of vocal music art in China under the background of diversification and globalization. In a word, the period after the founding of the people's Republic of China is a period of comprehensive development and maturation of vocal music art in China, and is a very important time in the history of vocal music in our country. It is of great significance to explore and study the concept of vocal music art in every stage of this period: it is helpful for people to understand more deeply the inherent nature and law of the development of vocal music art in this period. It is beneficial for people to combine vocal music art phenomenon with political background, people's ideology and aesthetic consciousness, and to prospect the development of vocal music art in our country in the future.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 吳昊;改革開放以來中國學(xué)校美聲教育發(fā)展研究[D];華中師范大學(xué);2012年

2 金子琛;尼瑪拉毛聲樂藝術(shù)研究[D];山東大學(xué);2013年

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本文編號：1878481