本文選題：《小宇宙》 + 教學　； 參考：《東北師范大學》2006年碩士論文

【摘要】：貝拉·巴托克是二十世紀最有影響力的作曲家之一,是匈牙利著名的鋼琴家、音樂教育家。他一生都致力于匈牙利民族民間音樂的普及和推廣,并為此創(chuàng)作了大量的鋼琴作品�！缎∮钪妗芳词沁@樣一套包含有豐富的匈牙利民間音樂元素與現(xiàn)代作曲技法的鋼琴練習曲集。本文通過對《小宇宙》的逐冊分析,通過與其它鋼琴初級教程的橫向比較,體現(xiàn)它的教學價值,希望能夠得到國內(nèi)同行對它的認可,同時能夠得到很好的學習和使用。 本文共分為五部分: 第一部分:引言。主要說明了本文的選題依據(jù)及現(xiàn)實意義,以及本文的框架。 第二部分:巴托克的鋼琴創(chuàng)作及代表作。這一部分按年代例舉出了巴托克的鋼琴代表作并做一簡要介紹,以及他的鋼琴作品的大體特征。 第三部分:對《小宇宙》的具體分析。本文首先是按照一到六冊的順序來解析的,但在同一冊中,則是按照解決同樣技巧難點、再進行下一個問題的解決來敘述的。體現(xiàn)出它的橫向聯(lián)系。對于這樣一套具有強烈民族性和現(xiàn)代感的作品,要想讓我國國內(nèi)的鋼琴教師與學習者都能夠接受是極具難度也是不必要的。所以本文就對于一些極具這樣特點的作品只是進行簡單的說明:或說明意義,或建議欣賞,總之是為了能夠客觀而深入地闡述清楚這套作品的內(nèi)涵。 第四部分:《小宇宙》在我國的教學現(xiàn)狀及原因。分析了《小宇宙》遭到冷遇的原因。 第五部分:學習、演奏《小宇宙》的意義及帶給我們的啟示。
[Abstract]:Beira Bartok is one of the most influential composers of the twentieth century, a famous pianist and music educator in Hungary. He devoted his whole life to the popularization and popularization of Hungarian folk music and created a large number of piano works for this purpose. The small Universe is such a set of piano etudes with rich elements of Hungarian folk music and modern composing techniques. Through the analysis of microcosm by volume, and the horizontal comparison with other elementary piano courses, this paper shows its teaching value, and hopes to be recognized by its domestic counterparts, and at the same time, it can be well studied and used. This paper is divided into five parts: The first part: introduction. This paper mainly explains the basis and practical significance of the topic, as well as the framework of this paper. The second part: Bartok's piano creation and representative works. In this part, Bartok's piano masterpieces are illustrated and briefly introduced, as well as the general characteristics of his piano works. The third part: the concrete analysis of the microcosm. This paper is first analyzed according to the order of one to six volumes, but in the same volume, it is described according to the same skill and difficulty, and then the next problem is solved. Reflect its horizontal connection. For such a set of works with strong national and modern sense, it is extremely difficult and unnecessary to make piano teachers and learners in our country accept it. Therefore, this paper simply explains some works with such characteristics: either explain the meaning, or suggest appreciation, in order to expound the connotation of this set of works objectively and thoroughly. The fourth part: the present situation and reasons of microcosm teaching in our country. The reason why the microcosm was treated cold was analyzed. The fifth part: the significance of learning and playing the microcosm and the enlightenment to us.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J624.1

【引證文獻】

相關(guān)碩士學位論文 前3條

1 劉利劍;論巴托克音樂創(chuàng)作風格[D];東北師范大學;2007年

2 張健;匈牙利民族文化之魂[D];湖南師范大學;2012年

3 王笑;巴托克《八首匈牙利農(nóng)民歌曲鋼琴即興曲》和聲技法研究[D];西安音樂學院;2013年

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本文編號：1878248