本文選題：河北民歌　切入點(diǎn)：山歌　出處：《河北師范大學(xué)》2014年碩士論文

【摘要】：民歌是人民社會(huì)生活和思想情感最直接、最真實(shí)的反映，是民族音樂(lè)的一個(gè)重要組成部分。民歌的三個(gè)基本特征是： 1.民歌是人民社會(huì)生活中最直接最緊密的聯(lián)系； 2.民歌的創(chuàng)作過(guò)程和它的演唱、流傳過(guò)程是不可分割的； 3.民歌的產(chǎn)生是經(jīng)過(guò)了一個(gè)漫長(zhǎng)而艱難的過(guò)程的。 河北民歌的歷史悠久，具有獨(dú)特、豐富的文化藝術(shù)底蘊(yùn)和濃郁的地方性色彩。因?yàn)楹颖睋碛械锰飒?dú)厚的地理?xiàng)l件，無(wú)論是塞北的高原、廣闊的平原、渤海之濱漫長(zhǎng)的海岸線或是連綿起伏的太行山，都是河北民歌產(chǎn)生的美麗搖籃。河北民歌還擁有豐富多彩的地方方言和變化多樣的題材內(nèi)容。在調(diào)式上，河北民歌雖然以五聲調(diào)式為主，，但是也伴隨著六聲和七聲調(diào)式和一些特殊調(diào)式，使民歌音樂(lè)聽起來(lái)多姿多彩。對(duì)于河北民歌的審美特性，從河北文化和河北藝術(shù)文化的發(fā)展歷程看，可以歸納出四個(gè)方面： 1.河北民歌語(yǔ)言豐富，內(nèi)容廣。河北的語(yǔ)言在各省市中最為突出，語(yǔ)音變化豐富多彩，像東北話、山西的方言，都是在河北的區(qū)域中出現(xiàn)的。河北民歌歌詞中含有著豐富的語(yǔ)言內(nèi)涵，這些民歌的歌詞多是表達(dá)直白，結(jié)構(gòu)方整，詞句簡(jiǎn)單純樸、不加修飾，有時(shí)摻入趣味方言，反映了河北勞動(dòng)人民的樸實(shí)和率真。 2.河北民歌旋律起伏，曲調(diào)美。河北民歌受北方的語(yǔ)言音調(diào)影響，旋律起伏明顯，高亢明亮，表現(xiàn)出的是不同于其他的錯(cuò)落有致的韻律美。 3.河北民歌結(jié)構(gòu)多樣，流傳廣。河北民歌的句式，有五字句、七字句、四字句、八字句、九字句、十字句等，結(jié)構(gòu)多樣，不拘一格。有的還添加了各式各樣的起修飾作用的襯詞，這更加豐富了歌詞的結(jié)構(gòu)。但總體上，主要以七字句的歌詞為主，從整體的段落結(jié)構(gòu)和句段結(jié)構(gòu)上看，也是七字句較為有特色。例如，河北鹽山民歌—四季歌：春季里來(lái)桃花紅，人民公社忙春耕，社員們齊勞動(dòng)呀，妹妹駕駛拖拉機(jī)，耕得深耕得平呀，快耕快耕快播種，爭(zhēng)取農(nóng)業(yè)好收成。 4.河北民歌高亢嘹亮，聲腔美。河北民歌受地方方言的影響，有很大一部分的音調(diào)和當(dāng)?shù)胤窖缘男星蛔邉?shì)是一致的，發(fā)音比較平直，結(jié)尾處多用去聲，與別的地方民歌相比較顯示出樸實(shí)而不油華，感情直接、曲調(diào)跳進(jìn)。同時(shí)，襯詞、襯腔的運(yùn)用和行腔運(yùn)腔的修飾也把河北民歌的活潑和風(fēng)趣一面體現(xiàn)出來(lái)。本文就是圍繞以上幾個(gè)核心方面展開論述的。 本篇文章共分成緒論、正文的五個(gè)文章以及結(jié)論七個(gè)部分。 1.緒論對(duì)河北民歌的基本特征、河北民歌在地理位置、人文方言、題材、調(diào)式、節(jié)拍等方面的特征進(jìn)行簡(jiǎn)單闡述。 2.河北民歌的審美特征這一章主要從河北民歌的語(yǔ)言內(nèi)容、旋律曲調(diào)、結(jié)構(gòu)和聲腔進(jìn)行系統(tǒng)的闡述。 3.河北民歌的調(diào)式特征這一章主要從河北民歌的調(diào)式的形成和發(fā)展、旋律特征、詞曲結(jié)合等方面進(jìn)行系統(tǒng)的闡述。 4.河北民歌的節(jié)拍、節(jié)奏和節(jié)奏型這一章，將節(jié)拍、節(jié)拍類型、節(jié)拍特征、節(jié)奏、節(jié)奏型以及他們的應(yīng)用都舉例闡述。 5.河北民歌的音樂(lè)體裁分類及藝術(shù)特征這一章對(duì)河北民歌中的小調(diào)、山歌和號(hào)子進(jìn)行系統(tǒng)的舉例講解。 6.河北民歌的繼承和發(fā)展這一章列出了河北民歌的現(xiàn)狀、河北民歌中的非物質(zhì)文化遺產(chǎn)和河北民歌面臨的新機(jī)遇。 7.結(jié)論又將以上幾章的內(nèi)容加以總結(jié)。 本文采用了“形態(tài)分析法”、“比較研究法”、“歷史學(xué)方法”、“美學(xué)方法”等研究方法，探求河北民歌的幾大問(wèn)題。 通過(guò)對(duì)留下來(lái)的河北民歌的歷史資料和在民間搜索得到的資料的學(xué)習(xí)與研究，將優(yōu)秀的河北民歌文化得到更多人的認(rèn)可并且傳承下去。
[Abstract]:The folk song is the most direct and true reflection of the people's social life and thoughts and emotions, and is an important part of the national music. The three basic features of the folk songs are:
1. folk songs are the most direct and most closely linked social life in the people's social life.
The process of the creation of 2. folk songs and its singing is inseparable.
The emergence of the 3. folk songs has been a long and difficult process.
Hebei folk song has a long history, has a unique and rich cultural and artistic heritage and local rich color. Because Hebei has richly endowed by nature geographical conditions, whether it is the northern plateau, the vast plains, the coastline of Bohai Lake long or rolling Taihang Mountain, Hebei folk songs are the cradle of Hebei folk song is beautiful. Have a rich and colorful local dialects and diverse subjects. In the mode, although the five tone of Hebei folk songs, but also with the six tones and seven tones and some special mode, the folk music sounds colorful. The aesthetic characteristics of Hebei folk songs, from the development of Hebei culture and Arts in Hebei culture, can be summed up in four aspects:
1. Hebei folk song language rich content widely. The language of Hebei in various provinces and cities in the most prominent voice changes of rich and colorful, like northeast words, Shanxi dialect, are appearing in Hebei area. Hebei folk songs contain rich connotation of language, these folk songs are straightforward expression of words, the structure of the whole words, simple, without modification, sometimes mixed with interesting dialect, reflecting the Hebei working people's simple and straightforward.
2., Hebei folk songs are melodic and melodic. Hebei folk songs are influenced by the northern language and tone. The melody is distinct, bright and bright, showing the rhythmic beauty different from the others.
Diversity, 3. Hebei folk songs of Hebei folk songs spread widely. The structure of sentences, five words, seven words, four words, nine sentences, eight words, ten words, various structures, some also add a lining not sticking to formalities. The modification effect of every kind of word, the more abundant the lyrics of the structure. But on the whole, in seven words of the lyrics, from the passage of the whole structure of the sentence and paragraph structure, seven words is relatively distinctive. For example, Hebei Yanshan folk - song of seasons: spring to peach red, the people's commune members were busy plowing, homogeneous labor, driving the tractor ploughing to sister, deep to flat, fast for our fast farming farming, agricultural good harvest.
4. Hebei folk songs resounding loud and clear, vocal beauty. Hebei folk songs influenced by the local dialect, there is a large part of the local dialect tone and tune the trend is consistent, pronunciation is relatively flat, end with falling tone, compared with other local folk songs show a simple and not oil, feelings directly. At the same time, tune into that word, using the modified cavity cavity lining and transport cavity also put Hebei folk songs and lively and funny side reflected. This paper is to discuss the core aspects regarding the above several.
This article is divided into introduction, five articles in the text and seven parts of the conclusion.
1. introduction to the basic characteristics of Hebei folk songs, Hebei folk songs in the geographical location, cultural dialects, subject, style, rhythm and other aspects of the characteristics of a simple exposition.
2. aesthetic features of Hebei folk songs this chapter mainly from the language content, Hebei folk melody, structure and tune system in detail.
3. the characteristics of the style of Hebei folk songs are mainly from the formation and development of the style of Hebei folk songs, the characteristics of melody and the combination of words and songs.
4. the rhythm, rhythm and rhythm of Hebei folk songs, the rhythm, rhythm type, rhythm characteristics, rhythm, rhythm type and their application are illustrated.
And the artistic features of Hebei folk music genre classification 5. this chapter of the Hebei folk songs in minor, folk songs and chant of the system for example to explain.
6. the chapter of the inheritance and development of Hebei folk songs lists the status of Hebei folk songs, the non material cultural heritage of Hebei folk songs and the new opportunities for Hebei folk songs.
The 7. conclusion also summarizes the contents of the above chapters.
This paper uses the method of "morphological analysis", "comparative study", "history method", "aesthetic method" and other research methods, to explore several major problems of Hebei folk songs.
Through the study and research of the historical data of the left Hebei folk songs and the data obtained in the folk search, the excellent Hebei folk song culture is recognized and passed down by more people.

【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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相關(guān)期刊論文 前2條

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本文編號(hào)：1694055