英國牧歌及其樂派研究
發(fā)布時(shí)間:2018-03-30 19:06
本文選題:英國牧歌 切入點(diǎn):英國牧歌樂派 出處:《星海音樂學(xué)院》2013年碩士論文
【摘要】:英國牧歌的興起與16世紀(jì)意大利牧歌密切相關(guān),甚至具有某種商業(yè)獲利的意味。起初,英國人只是簡單地移譯16世紀(jì)意大利牧歌。后來,隨著對(duì)體裁的熟悉,英國牧歌挑起了本土作曲家的創(chuàng)作熱情,佳作紛紛涌現(xiàn)。這些以莫利、威爾克斯和威爾拜等人為首的英國牧歌作曲家,被稱為“英國牧歌樂派”。他們借助樂譜印刷物,使英國牧歌得以在中產(chǎn)階級(jí)中廣泛傳播。然而,進(jìn)入17世紀(jì),意大利牧歌逐漸被單聲歌曲和歌劇所取代。受此影響,借意大利風(fēng)尚興起的英國牧歌,也在四十多年后走向式微。1630年之后,出于多種原因,作曲家不再創(chuàng)作英國牧歌。然而,對(duì)英國牧歌的演唱和研究,卻仍然延續(xù)至今。英國牧歌的創(chuàng)作史不足五十年。本著對(duì)其短暫興衰的疑問,本文從它的背景、來源、發(fā)展情況及音樂形態(tài)特征等方面,追查英國牧歌曇花一現(xiàn)的原因。
[Abstract]:The rise of English pastoral songs was closely related to Italian pastoral songs in the 16 th century, and even had a certain commercial profit.At first, the British simply translated 16 th century Italian pastoral songs.Later, with familiarity with genres, English pastoral songs provoked the enthusiasm of local composers, and great works emerged.These British pastoral composers, led by Molly, Wilkes and Wilbur, are known as the English Pastoral School.They helped spread English pastoral songs among the middle class with the help of music printing.However, in the 17 th century, Italian pastoral songs were gradually replaced by single songs and operas.Influenced by this, the English pastoral songs, which were developed by the Italian fashion, also declined more than 40 years later. After 1630, for various reasons, the composers stopped writing English pastoral songs.However, the singing and research of the English pastoral songs still continue to this day.The history of pastoral writing in England is less than fifty years.In the light of the question of its brief rise and fall, this paper attempts to trace the causes of the short-lived pastoral songs in England in terms of its background, source, development and musical features.
【學(xué)位授予單位】:星海音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J609.561
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