本文選題：歌唱藝術(shù)　切入點(diǎn)：中西方文化背景　出處：《西北民族大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：在人類(lèi)藝術(shù)文化中,音樂(lè)藝術(shù)是重要的組成部分,然而歌唱藝術(shù)又是音樂(lè)藝術(shù)中極其重要的組成部分。它具有鮮明的文化特色和性格特征。我國(guó)的聲樂(lè)藝術(shù)與西方的聲樂(lè)藝術(shù)分別從先秦音樂(lè)文化和古希臘音樂(lè)胚胎發(fā)展而來(lái),各自經(jīng)過(guò)了數(shù)千年漫長(zhǎng)的發(fā)展道路。,在不同的社會(huì)背景、文化歷史特點(diǎn)的影響下,漸漸形成了風(fēng)格各異的美學(xué)特征。中方聲樂(lè)藝術(shù)和西方歌唱藝術(shù)相比,西方聲樂(lè)藝術(shù)經(jīng)歷了從古典主義時(shí)期開(kāi)始的多次繁榮發(fā)展的歷程,擁有眾多優(yōu)秀作曲家與作品,產(chǎn)生了頗為深廣的影響,一直都處于世界聲樂(lè)藝術(shù)的首位。近幾個(gè)世紀(jì),我國(guó)音樂(lè)藝術(shù)也在突飛猛進(jìn)的發(fā)展,其中聲樂(lè)藝術(shù)也開(kāi)始走出國(guó)門(mén),最重要的是中國(guó)傳統(tǒng)聲樂(lè)藝術(shù)開(kāi)始擁有越來(lái)越多的聽(tīng)眾,逐步走出國(guó)門(mén),在世界音樂(lè)藝術(shù)舞臺(tái)上獲得十分重要的位置。隨著“地球村”概念的出現(xiàn),人們也逐漸意識(shí)到,藝術(shù)是不分國(guó)界的,歌唱藝術(shù)也更是如此,它需要對(duì)各類(lèi)聲樂(lè)藝術(shù)兼容廣闊、百花齊放,需要人們更加客觀的對(duì)待各種歌唱藝術(shù)的異同,并在此基礎(chǔ)上接納各個(gè)歌唱藝術(shù)的珍寶,不再預(yù)先于任何一種類(lèi)型的聲樂(lè)藝術(shù),融合多種歌唱元素。由此,從美學(xué)取向和價(jià)值取向上對(duì)中外方歌唱藝術(shù)進(jìn)行對(duì)比討論與分析研究是具有重大意義。在本文中,通過(guò)對(duì)中國(guó)與西方文化背景,藝術(shù)發(fā)展歷程,審美心理分析,技術(shù)體系對(duì)比和融合發(fā)展討論幾個(gè)維度對(duì)中西方歌唱藝術(shù)文化進(jìn)行了探索性的研究與討論,希望能夠在豐富已有文獻(xiàn)討論和前人研究成果的基礎(chǔ)上,在實(shí)際歌唱藝術(shù)學(xué)習(xí)與發(fā)展中增添一絲新鮮的動(dòng)力。
[Abstract]:In human art culture, music art is an important part. However, singing art is an extremely important part of music art. It has distinct cultural characteristics and personality characteristics. The vocal music art of our country and the western vocal music art developed from the pre-Qin music culture and the ancient Greek music embryo, respectively. After thousands of years of long development, under the influence of different social backgrounds and cultural and historical characteristics, they gradually formed different aesthetic characteristics. The Chinese vocal music art is compared with the western singing art. Western vocal music art has experienced many prosperous and developing processes from the classicism period, has many outstanding composers and works, has produced quite profound influence, has been in the world vocal music art first all the time. In recent centuries, The music art of our country is also developing by leaps and bounds. Among them, the vocal music art has also begun to go abroad. The most important thing is that the Chinese traditional vocal music art has begun to have more and more listeners, and has gradually gone out of the country. With the emergence of the concept of "global village", people have come to realize that art knows no national boundaries, and even more so, singing art, it needs to be compatible with all kinds of vocal music art. The blooming of a hundred flowers requires people to deal more objectively with the similarities and differences of all kinds of singing art, and on this basis to accept the treasures of each singing art, no longer to advance any kind of vocal music art, and to integrate many kinds of singing elements. It is of great significance to discuss and analyze Chinese and foreign singing art from aesthetic orientation and value orientation. The comparison of technical system and the discussion of integration and development have carried on the exploratory research and discussion to the Chinese and western singing arts and culture in several dimensions, hoping to enrich the existing literature discussion and the previous research results. In the actual singing art learning and development to add a new impetus.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J616

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