本文選題：清末民初　切入點：漢口　出處：《武漢音樂學院》2006年碩士論文　論文類型：學位論文

【摘要】： 本文主要著眼于地方音樂史的考察,就漢口在開埠以后至抗戰(zhàn)之前這段時間內(nèi),各種音樂活動狀況,作了一個大致的梳理。這段時期,是中國封建王朝走向壽終正寢的時期,也是外國文化大肆侵入中國的時期。漢口正是這種中西文化交融的一個較為有代表性的城市之一。在這里,傳統(tǒng)音樂在受到外來音樂文化沖擊的同時繼續(xù)保持著自己的強勁發(fā)展勢頭,外來音樂文化不斷占據(jù)著自己的市場,兩種文化融合的過程之中一種新的具有中西特點的音樂文化也悄然形成。 漢口在明代才正式形成,雖然歷史不算太悠久,但由于其獨特地理位置,決定了其在明代后期迅速成為四大名鎮(zhèn)之一,到清代更為繁盛,及至近代成為很有影響力的大都市。在這種背景下,其娛樂文化活動也逐漸繁盛。由于市民數(shù)量的劇增,導致對于音樂娛樂的需求劇增,進而導致音樂活動場所的增加。正是在這一時期漢口本土的戲曲漢劇、楚劇走向了其頂峰,京劇等戲曲和湖北評書等曲藝得到了空前發(fā)展。 隨著西方文化的侵入,西方人在其租界活動領地需要一種適合自己的娛樂方式,宗教音樂、歌舞廳音樂等外國音樂形式開始影響到漢口的音樂生活。但這并沒有防礙漢口原有的傳統(tǒng)音樂的發(fā)展。兩種不同文化背景的音樂各自擁有自己的市場,各自擁有自己的參與群體、消費群體。 在中西方兩種音樂文化的碰撞的過程中,必然會產(chǎn)生新的音樂文化,這主要是學堂樂歌和中國流行音樂的產(chǎn)生。這種新的音樂文化以至于對中國近現(xiàn)代音樂的發(fā)展產(chǎn)生了重大的影響。學堂樂歌,張之洞很早就在武漢三鎮(zhèn)的學校頒定。但流行音樂的產(chǎn)生,似乎漢口比上海慢了半拍,很多音樂活動都是上海的歌舞團來漢口演出,或者外地音樂團體來漢口演出,而漢口在受到上海的影響后才開始逐漸形成自己的流行音樂團體。 漢口在這一特定的歷史轉(zhuǎn)型期,也形成了自己獨特的音樂文化生活。
[Abstract]:This paper focuses on the investigation of the history of local music, and makes a general analysis of the situation of various musical activities in Hankou during the period between the opening of the port and the period before the War of Resistance against Japan. This period is a period when the feudal dynasty of China was coming to an end. It was also a period when foreign cultures invaded China. Hankou is one of the more representative cities where Chinese and Western cultures blend. Here, While traditional music is impacted by foreign music culture, it continues to maintain its strong development momentum, and foreign music culture continues to occupy its own market. In the process of merging the two cultures, a new music culture with Chinese and western characteristics has been formed quietly. Although the history of Hankou was not too long, it became one of the four famous towns in the late Ming Dynasty because of its unique geographical position, and became more prosperous in the Qing Dynasty. Even in modern times, it became a very influential metropolis. Against this background, its entertainment and cultural activities flourished. As a result of the sharp increase in the number of citizens, there was a sharp increase in demand for music and entertainment. This led to the increase of musical activities. It was in this period that Han opera in Hankou, Chu opera went to its peak, opera such as Beijing Opera and Hubei calligraphy and other qu arts were developed unprecedentedly. With the invasion of Western culture, westerners in their concession areas need a suitable form of entertainment, religious music, Foreign forms of music, such as ballroom music, have begun to affect Hankou's musical life. But this has not hindered the development of Hankou's original traditional music. Two kinds of music with different cultural backgrounds each have their own markets. Each has its own participation groups, consumer groups. In the process of the collision between Chinese and Western music cultures, a new music culture will inevitably emerge. This is mainly due to the emergence of school music and Chinese pop music. This new music culture has had a great impact on the development of modern Chinese music. Zhang Zhidong was awarded early at the school in three towns of Wuhan. However, the production of popular music seems to be half slower in Hankou than in Shanghai. Many music activities involve Shanghai singing and dancing troupes coming to Hankou to perform, or other music groups coming to Hankou to perform. Hankou began to form its own pop music group after being influenced by Shanghai. Hankou formed its own unique music culture life in this particular historical transition period.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2

【引證文獻】

相關碩士學位論文 前2條

1 袁芳艷;含淚的微笑：中國知識分子音樂生活個案研究[D];華中師范大學;2011年

2 王楷婷;蘭州職業(yè)技術學院“京劇進校園”活動調(diào)查研究[D];西北師范大學;2012年

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本文編號：1615278