本文選題：《人民音樂》　切入點(diǎn)：音樂批評　出處：《東北師范大學(xué)》2013年博士論文　論文類型：學(xué)位論文

【摘要】：本篇論文以由中國音樂家協(xié)會創(chuàng)辦；由郭沫若先生題詞；在新中國時(shí)期最早以“評論性”定位；全國唯一集學(xué)術(shù)信息、學(xué)術(shù)動態(tài)、學(xué)術(shù)研究等為一體的國家重點(diǎn)音樂核心刊物《人民音樂》（1950-2010）為研究對象，以《人民音樂》對推動中國當(dāng)代音樂批評所做出的重要貢獻(xiàn)為主線，采用比較和分析相結(jié)合的研究方法，從雜志歷史發(fā)展軌跡入手，通過對音樂批評的回顧，總結(jié)出每一時(shí)期音樂批評的熱點(diǎn)問題，并以此探索當(dāng)時(shí)中國音樂批評堅(jiān)持的原則道路、影響力和重要意義。在實(shí)證性文獻(xiàn)考據(jù)的基礎(chǔ)上，分析并闡述《人民音樂》的時(shí)代學(xué)術(shù)價(jià)值，以及帶給音樂批評界的重要啟示，確定其歷史地位，從而引發(fā)對中國音樂批評發(fā)展前景的思考與展望。 本文共分六個部分。引言部分，主要論述了本選題的研究背景、研究意義與研究現(xiàn)狀，闡明《人民音樂》研究的必要性及填補(bǔ)學(xué)術(shù)空白之創(chuàng)新性。第一部分，對《人民音樂》創(chuàng)辦的時(shí)代背景和歷史發(fā)展軌跡進(jìn)行回顧，并通過欄目內(nèi)容等數(shù)量統(tǒng)計(jì)，分析《人民音樂》的辦刊特點(diǎn)，進(jìn)而說明《人民音樂》在我國音樂事業(yè)中的地位與影響。第二部分，這是我國社會主義建設(shè)事業(yè)蓬勃發(fā)展并取得重大成就的時(shí)期，也是新中國音樂批評的第一個高潮期（1950-1966），通過列舉《人民音樂》在“十七年”關(guān)于音樂“民族化”等主要問題的討論，分析這一時(shí)期中國音樂批評的功能與特點(diǎn)。第三部分，1978年12月，中共十一屆三中全會在北京召開，從而恢復(fù)了活躍的爭鳴氣氛，出現(xiàn)了20世紀(jì)中國音樂批評的第二次高潮期（1976-2000），此段落強(qiáng)調(diào)音樂批評在經(jīng)歷了“文革”的沖擊后，全面處在撥亂反正的蓬勃發(fā)展?fàn)顟B(tài)；以及在1989年動亂后，音樂界在經(jīng)歷短暫的迂回曲折階段中，音樂批評的主要論域。第四部分，1992年，鄧小平發(fā)表的“南巡講話”扭轉(zhuǎn)了我國當(dāng)時(shí)的政治、經(jīng)濟(jì)局勢，中國音樂理論界終于獲得了在音樂觀念上的一次真正的解放，此章節(jié)通過比較這一時(shí)期《人民音樂》和其他迅速發(fā)展起來的音樂期刊上所發(fā)表的批評文章，闡釋我國進(jìn)入新世紀(jì)前后，即音樂界的后新時(shí)期（2000-2010），音樂批評主要關(guān)注點(diǎn)和百家爭鳴、眾聲喧嘩的音樂批評多元發(fā)展的階段特征及更高層次意義的討論。結(jié)語部分，重點(diǎn)分析了音樂批評對中國音樂歷史進(jìn)程的重要價(jià)值及積極意義，，并對我國音樂批評事業(yè)的發(fā)展進(jìn)行了展望。
[Abstract]:This paper is founded by the Chinese musicians Association; written by Mr. Guo Moruo; first positioned as "critical" in the New China period; the only collection of academic information in the country, academic trends, The core publication of national key music, "people's Music" (1950-2010), which is an integral part of academic research, takes the important contribution made by "people's Music" to promote the contemporary music criticism in China as the main line, and adopts the research method of combining comparison and analysis. Starting with the historical development of the magazine, through the review of music criticism, this paper summarizes the hot issues of music criticism in every period, and explores the principle of music criticism in China at that time. Influence and significance. On the basis of textual research of empirical literature, this paper analyzes and expounds the academic value of the times of "people's Music", as well as the important enlightenment to the music critics, and determines its historical status. So as to trigger the development prospects of Chinese music criticism thinking and prospects. This paper is divided into six parts. The introduction mainly discusses the research background, research significance and current situation of this topic, expounds the necessity of the study of people's Music and the innovation of filling up the academic blank. This paper reviews the background and historical development of the founding of "people's Music", and analyzes the characteristics of "people's Music" through the quantitative statistics of the contents of the columns. Then explains the position and influence of "people's Music" in the music cause of our country. The second part, this is the period of vigorous development and great achievement in the cause of socialist construction in our country. It is also the first high tide of music criticism in New China. By enumerating the "people's Music" in "17 years" and other major issues such as "nationalization" of music, This paper analyzes the functions and characteristics of Chinese music criticism in this period. The third part, in December 1978, held the third Plenary session of the Eleventh Central Committee of the Communist Party of China in Beijing, thus restoring an active atmosphere of contention. The second peak period of Chinese music criticism in 20th century was 1976-2000. This paragraph emphasizes that music criticism, after the impact of the "Cultural Revolution", was in a state of vigorous development after the "Cultural Revolution"; and after the turmoil in 1989, During a brief period of twists and turns in the music industry, the main field of discussion of music criticism. Part 4th. In 1992, Deng Xiaoping's "Southern Patrol speech" reversed the political and economic situation in China at that time. The Chinese music theorists have finally achieved a real liberation in the concept of music. This chapter compares the critical articles published in the people's Music and other rapidly developing music journals during this period. This paper explains the stage characteristics and higher level meaning of music criticism, which is about entering the new century, that is, the post-new period of music circle, the main focus of music criticism and the contending of a hundred schools of thought, the multivariate development of music criticism and the higher level meaning of music criticism. This paper analyzes on the important value and positive significance of music criticism to the historical process of Chinese music, and looks forward to the development of music criticism in China.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2013
【分類號】：J609.2

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