勛伯格《第一室內(nèi)交響曲》研究
發(fā)布時(shí)間:2018-01-22 23:34
本文關(guān)鍵詞: 勛伯格 《第一室內(nèi)交響曲》 音高體系 體裁融合 規(guī)則化 模糊性 審美范疇 出處:《上海音樂(lè)學(xué)院》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:本文以勛伯格《第一室內(nèi)交響曲》為研究對(duì)象,重點(diǎn)分析這部作品在調(diào)性語(yǔ)言及體裁融合方面的特征,并在分析結(jié)果的基礎(chǔ)上探討20世紀(jì)初音樂(lè)規(guī)則與音樂(lè)審美的發(fā)展趨勢(shì)。本文基本部分由四個(gè)章節(jié)構(gòu)成,第一章主要介紹這部作品的促成原因;第二章從結(jié)構(gòu)特征、調(diào)性特征以及和聲語(yǔ)言三個(gè)方面分析研究這部作品對(duì)無(wú)調(diào)性音樂(lè)表現(xiàn)力極限的探索,及其為勛伯格無(wú)調(diào)性音樂(lè)創(chuàng)作的出現(xiàn)所做的準(zhǔn)備;第三章是從體裁特征方面分析這部作品如何為未來(lái)更為廣泛的音樂(lè)表現(xiàn)力提供的可能性;第四章則建立在第二、三章的作曲技法和體裁特征研究的基礎(chǔ)之上,延伸性地探討了西方音樂(lè)創(chuàng)作中規(guī)則化與模糊性相互交替的螺旋式發(fā)展規(guī)律,和20世紀(jì)表現(xiàn)主義審美取向的轉(zhuǎn)變,以及以上特征在勛伯格《第一室內(nèi)交響曲》創(chuàng)作中的體現(xiàn)。
[Abstract]:Taking Schoenberg's first Chamber Symphony as the object of study, this paper focuses on the characteristics of the blending of tonality language and genre. On the basis of the analysis of the results, this paper discusses the development trend of music rules and music aesthetics in the beginning of 20th century. The basic part of this paper consists of four chapters, the first chapter mainly introduces the causes of this work; In the second chapter, the author analyzes and studies the limit of the expressive power of the atonal music in this work from the aspects of structure, tonality and harmony language, and the preparation for the appearance of Schoenberg's anatonic music creation. The third chapter analyzes the possibility of how this work can provide more extensive musical expression in the future from the aspect of genre characteristics. Chapter 4th is based on the second and third chapters of the study of composition techniques and genre characteristics on the basis of an extension of the western music creation in the rule and fuzziness alternately spiral development law. In 20th century, the transformation of expressionist aesthetic orientation, and the above characteristics in Schoenberg's first Chamber Symphony.
【學(xué)位授予單位】:上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J605
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 王放歌;;維也納古典樂(lè)派音樂(lè)體裁的美學(xué)特征[J];長(zhǎng)春師范學(xué)院學(xué)報(bào);2007年07期
2 劉云;廖文s,
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