發(fā)布時間：2019-06-13 16:49

【摘要】： “多重證據(jù)法”是在傳統(tǒng)考據(jù)學(xué)基礎(chǔ)上,從王國維“二重證據(jù)法”的理念出發(fā),吸收年鑒學(xué)派和新歷史主義的一種以多重資料為基礎(chǔ)的綜合研究的科學(xué)方法。 二十世紀(jì)以來隨著西方科學(xué)觀念的引入,中國音樂史學(xué)逐步走向成熟,出現(xiàn)了很多分支學(xué)科,研究方法也趨向科學(xué)化、專業(yè)化、系統(tǒng)化。音樂史是諸多方面共同作用的結(jié)果,與這些分支學(xué)科是密不可分相互依存的客觀存在,因此音樂學(xué)形成了多學(xué)科融合的趨勢,出現(xiàn)很多自覺運(yùn)用多重學(xué)科資料的研究成果,開拓了音樂史學(xué)研究的學(xué)科視域,使之更加科學(xué)完備�！岸嘀刈C據(jù)法”正是順應(yīng)這一趨勢的必然結(jié)果,符合音樂史學(xué)的學(xué)科特性,是音樂史學(xué)逐步走向成熟的內(nèi)在要求,是中國音樂史學(xué)的科學(xué)的研究方法。 本文以二十世紀(jì)以來具有近代科學(xué)意義的中國古代音樂史學(xué)為中心,對“多重證據(jù)法”在中國古代音樂史學(xué)中的發(fā)展脈絡(luò)、成功運(yùn)用、內(nèi)在肌理和具體方法,進(jìn)行了系統(tǒng)的梳理與深入探討。近年隨著來新史料、新學(xué)科的出現(xiàn),也出現(xiàn)一些輕視某種研究資料,或盲目相信單一史料的現(xiàn)象。科學(xué)運(yùn)用“多重證據(jù)法”,應(yīng)該在多學(xué)科知識鑒定史料的基礎(chǔ)上,靈活運(yùn)用各種史料,具體問題具體分析,進(jìn)行多層次、全方位的綜合研究。
[Abstract]:On the basis of the traditional study, the "multiple evidence method" is based on the concept of Wang Guowei's "double-evidence method", and the scientific method of comprehensive research based on the multiple data of the yearbook school and the new historicism. Since the twentieth century, with the introduction of the western scientific concept, the Chinese music history has gradually become mature, and there are many branch disciplines. The research methods also tend to be scientific, professional and systematic. The history of music is the result of many aspects of the common function, and the research methods are closely related to these branches. Therefore, the music study has formed the trend of multi-disciplinary fusion. Therefore, the music study has formed a trend of multi-disciplinary fusion. Therefore, the study of the subject of the study of the music history has been developed, which makes it more scientific and complete. The "multiple evidence method" is the inevitable result of the trend, and it is the inner requirement of the progressive development of the music history. It is the scientific research and research of the Chinese music history. This paper, based on the history of Chinese ancient music, which has modern scientific significance since the 20th century, has made a systematic study of the development of the "multiple evidence method" in the history of Chinese ancient music, the successful application, the internal texture and the specific methods. In recent years, with the development of the new historical materials, the appearance of the new subject, some of the research data, or the phenomenon of the blind faith of the single historical data, should be carried out in recent years. The scientific application of the "multiple evidence method" should be based on the historical materials of the multi-subject knowledge.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J609.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蘇全有;吳亞瓊;;近十年來中國近代音樂史研究的回顧與反思[J];南陽理工學(xué)院學(xué)報;2012年05期

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本文編號：2498664