【摘要】：舒伯特是在西方音樂史上實現(xiàn)古典主義向浪漫主義過渡的代表人物之一,他的鋼琴奏鳴曲歷來被視為是將古典奏鳴曲形式與浪漫主義音樂語言結(jié)合的典范。本文主要以他《降B大調(diào)鋼琴奏鳴曲》第一樂章的"Motto"處理技術(shù)為切入點,進(jìn)一步論證舒伯特對傳統(tǒng)奏鳴曲式的繼承和獨創(chuàng)性運(yùn)用。
[Abstract]:Schubert is one of the representatives to realize the transition from classicism to romanticism in the history of western music. His piano sonata has always been regarded as a model of combining classical sonata form with romantic musical language. This paper mainly discusses Schubert's inheritance and original application of traditional sonata from his "Motto" processing technique in the first movement of Piano Sonata in B Major.
【作者單位】： 浙江麗水學(xué)院;
【分類號】：J614.5

【參考文獻(xiàn)】

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本文編號：2457940