發(fā)布時(shí)間：2019-04-10 07:05

【摘要】： 方文山作品中濃郁的古典意味以及他對文字獨(dú)具匠心的拆解是其創(chuàng)作的顯著標(biāo)識,也是他成為華語樂壇炙手可熱的詞作者的主要原因。方文山的出現(xiàn),不僅帶動(dòng)了歌詞創(chuàng)作的“中國風(fēng)”風(fēng)潮,也因其創(chuàng)作的獨(dú)特性引起了文學(xué)界的重視。他的歌詞創(chuàng)作的流行性和獨(dú)特性,使得歌詞不只是單純的流行文化,更成為一種文學(xué)現(xiàn)象,對其研究也就具備了一定的現(xiàn)實(shí)和學(xué)術(shù)意義。 以方文山收錄成冊的34首“中國風(fēng)”詞作為分析對象,借助新批評和后現(xiàn)代主義的大眾文化理論,通過從宏觀層面對其作品進(jìn)行形式技巧和情感傾向分析,并結(jié)合具體案例從微觀層面分析他如何在個(gè)性的形式中實(shí)現(xiàn)情感的表達(dá),發(fā)現(xiàn)方文山歌詞具有以下幾方面特點(diǎn):“中國風(fēng)”詞作文白駁雜的文字極具特色但又不晦澀難懂;注重韻腳的使用讓歌曲便于記憶;借助富有畫面感的蒙太奇手法占據(jù)聽眾的視聽神經(jīng);充分利用古典意境中沉淀下來的情感認(rèn)知模式創(chuàng)造共鳴。以上這些特點(diǎn)形成了方文山特有的形式和大眾情感的完美結(jié)合,在歌詞創(chuàng)作界,可以說它促發(fā)了音樂創(chuàng)作的另類革命。但是,他的“中國風(fēng)”作品也存在一定的問題:第一,繁復(fù)的意象有簡單拼貼的現(xiàn)象;第二,自我重復(fù),讓自己陷入文字游戲無法自拔,而導(dǎo)致一再的重復(fù)自己而囿于一個(gè)狹小的范圍之中。
[Abstract]:The strong classical meaning in Fang Wenshan's works and his unique disassembly of the characters are the remarkable signs of his creation and the main reason why he became a popular songwriter in the Chinese music world. The emergence of Fang Wenshan not only drives the "Chinese style" trend of lyrics creation, but also attracts the attention of literary circles because of the uniqueness of his writing. The popularity and uniqueness of his lyrics make the lyrics not only a simple pop culture, but also a literary phenomenon. Therefore, the study of the lyrics has a certain practical and academic significance. Taking the 34 "Chinese style" words collected by Fang Wenshan as the analysis object, with the help of the new criticism and the popular culture theory of post-modernism, through the analysis of the formal skills and emotional tendency of his works from the macro-level, Combined with specific cases, this paper analyzes how he realizes the expression of emotion in the form of personality from the microcosmic level, and finds out that the lyrics of Fang Wenshan have the following characteristics: "Chinese style" words and compositions are very distinctive but not obscure; Pay attention to the use of rhyme feet so that the song is easy to remember; with the help of the picturesque montage techniques to occupy the audience's visual and auditory nerves; make full use of the classical mood deposited down the emotional cognitive model to create resonance. These characteristics formed the unique form of Fang Wenshan and the perfect combination of popular emotion, in the lyric creation world, it can be said that it promoted an alternative revolution in music creation. However, there are also some problems in his works on Chinese style: first, the complex images have the phenomenon of simple collage; Second, self-repetition, so that they can not extricate themselves in the text game, and lead to repeated repetition of themselves and confined to a narrow range.
【學(xué)位授予單位】：華中科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J614.9

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王萌;;結(jié)合“中國風(fēng)”歌詞探討漢語修辭教學(xué)[J];中國-東盟博覽;2013年01期

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