【摘要】： 西貝柳斯是芬蘭最著名的作曲家、民族樂派的代表人物。他一生創(chuàng)作了大量作品并涉及了多種體裁和形式。其中七部交響曲、若干交響詩以及小提琴協(xié)奏曲最鮮明地體現(xiàn)了他的創(chuàng)作傾向和藝術(shù)風(fēng)貌。 本文主要以他的交響詩作為研究對(duì)象,對(duì)其進(jìn)行作曲技法和創(chuàng)作風(fēng)格方面的研究。全文共分為三章。 第一章:概述。分為三節(jié),第一節(jié)簡要介紹了西貝柳斯的生平;第二節(jié)介紹了西貝柳斯交響詩的創(chuàng)作經(jīng)歷;第三節(jié)對(duì)交響曲和交響詩這兩種體裁進(jìn)行了介紹和比較,為之后進(jìn)一步介紹交響詩這一體裁打下了基礎(chǔ)。 第二章:西貝柳斯交響詩的創(chuàng)作技法特征。對(duì)其主要的幾首交響詩進(jìn)行了較為詳盡的分析,總結(jié)出西貝柳斯常用的一些作曲手法,這部分是本文的核心部分。分別從調(diào)式、和聲、動(dòng)機(jī)與主題、旋律、節(jié)奏、配器六個(gè)方面分析與研究。第一節(jié),總結(jié)了西貝柳斯三個(gè)典型的調(diào)式使用手法:多利亞調(diào)式、平行大小調(diào)、全音階與半音階。第二節(jié),通過對(duì)三全音、特里斯坦和弦、“靜態(tài)”和聲以及半音和聲這四個(gè)和聲手法使用的研究來探求西貝柳斯交響詩的總體和聲風(fēng)格。第三節(jié),較為詳細(xì)的分析了主要交響詩作品中動(dòng)機(jī)與主題的使用。第四節(jié),把旋律進(jìn)行的特征主要?dú)w為以下五個(gè)方面:小三度進(jìn)行的旋律、全音進(jìn)行的旋律、半音上行的旋律、固定音型式的旋律、長時(shí)值持續(xù)音和同音重復(fù)。第五節(jié),列舉了交響詩中一些有代表性的節(jié)奏型,如“夜騎”節(jié)奏型、“號(hào)角式”的節(jié)奏型。第六節(jié),敘述了主要交響詩作品的配器手法。第七節(jié),分析了有代表性的一些作品并總結(jié)出西貝柳斯在曲式結(jié)構(gòu)上的使用手法。 第三章:分析了西貝柳斯創(chuàng)作的民族精神以及交響詩創(chuàng)作技法的影響。西貝柳斯沒有總結(jié)和確定自己的作曲理論,也沒有給他的后者以直接的影響,但他在音樂上的成就已經(jīng)被全世界公認(rèn),他不是一味的追求所謂的新,而是把自己與大自然與社會(huì)緊緊聯(lián)系在一起,執(zhí)著而頑強(qiáng)的走自己的路。
[Abstract]:Sibelius is Finland's most famous composer, the representative of national music. In his life, he created a large number of works and involved a variety of genres and forms. Seven symphonies, a number of symphonic poems and violin concertos most vividly reflect his artistic style. In this paper, his symphonic poetry as a research object, its composition techniques and creative style research. The full text is divided into three chapters. Chapter one: Overview. The first section briefly introduces the life of Sibelius, the second section introduces the creation experience of Sebelius' symphonic poetry. The third section introduces and compares symphony and symphonic poetry, which lays a foundation for the further introduction of symphonic poetry. The second chapter: the creation technique characteristic of Sibelius symphonic poem. The author makes a detailed analysis of his main symphonic poems and sums up some commonly used composing techniques of Sibelius, which is the core part of this paper. Analysis and research are made from six aspects: mode, harmony, motivation and theme, melody, rhythm and orchestration. In the first section, three typical modes of use of Sibelius are summarized: Doria mode, parallel big minor, full scale and half scale. In the second section, the author explores the overall harmony style of Sebelius's symphonic poems by studying the use of three complete tones, Tristan chord, "static" harmony and semitone harmony techniques. In the third section, the use of motivation and theme in the main symphonic poems is analyzed in detail. In the fourth section, the characteristics of melody are classified into the following five aspects: the melody carried out by small third degree, the melody carried out by the whole tone, the melody of the uplink of the semitone, the melody of the fixed tone type, the long-time continuous sound and the homophonic repetition. The fifth section enumerates some typical rhythmic patterns in symphonic poems, such as "Night Ride" and "bugle Rhythm". The sixth section describes the orchestration of the main symphonic poems. In the seventh section, we analyze some representative works and summarize Sibelius' usage in the form structure. The third chapter analyzes the national spirit of Sibelius and the influence of symphonic poetry creation techniques. Sibelius did not sum up and determine his theory of composition, nor did he give him a direct influence on the latter, but his achievements in music have been recognized all over the world, he is not blindly pursuing the so-called new, Instead, they are closely linked with nature and society, persistent and tenacious in their own way.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J614.5

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相關(guān)期刊論文 前1條

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本文編號(hào)：2419505