【摘要】： 本研究是在歷史的縱橫坐標(biāo)上選取宋笛這一點(diǎn)作為研究對象,從文獻(xiàn)學(xué)、文物學(xué)和文化學(xué)等多種角度,采用列舉、分類、歸納和演繹等方法,對宋笛相關(guān)論題進(jìn)行分析研究。 研究內(nèi)容具體如下: 一、在全面系統(tǒng)的梳理笛樂器和“笛”字的發(fā)展流變的基礎(chǔ)上,概括笛的發(fā)展特點(diǎn)與規(guī)律,并且劃定宋代笛屬樂器為本研究的范圍; 二、根據(jù)掌握的文獻(xiàn)和文物資料從微觀的角度考證宋代笛屬樂器的形制主要為:橫置、單管、一吹孔和六按孔在管壁的同一個平面上,并對橫吹和豎吹兩種吹奏方式的樂器形制特點(diǎn)分別作詳細(xì)的分析,且考證“簫”這種樂器的稱謂在南宋時已經(jīng)被排除在“笛”的含義之外; 三、分別以宋代笛屬樂器的使用功能和場合為分類標(biāo)準(zhǔn),考辨宋笛在各種音樂藝術(shù)形式中的運(yùn)用,并界定宋笛的功能屬性的俗性和娛樂性; 四、具體研究《事林廣記》中的“管色指法”,分析其指法與俗字譜和工尺譜之間的聯(lián)系,并且得出“管色指法與現(xiàn)代笛吹奏指法的確存在異同”,和“唱賺《愿成雙》確有可能是笛譜”的結(jié)論; 五、基于以上研究,分析歸納宋笛興盛的原因?yàn)榈言谒未陌l(fā)展順應(yīng)了歷史和社會的發(fā)展趨勢,符合當(dāng)時人們的審美觀念,并且樂器自身恰好具有與當(dāng)時時代特征相吻合的性質(zhì)與特點(diǎn),也為后世豐富多彩的戲曲音樂的發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)。 本研究的關(guān)鍵內(nèi)容為論文的第二、三、四和五部分,藉由這些論題在音樂史的研究中尚屬研究盲點(diǎn),故愿本論文能夠?yàn)橄嚓P(guān)研究提供有力的資料,更能為充實(shí)音樂史料工作添磚加瓦。
[Abstract]:This research is to select Song Di as the object of study in the vertical and horizontal coordinates of history. From the perspectives of philology, cultural relic science and culturology, this paper analyzes and studies the related topics of Song Di by the methods of enumeration, classification, induction and deduction. The contents of the study are as follows: 1. On the basis of the comprehensive and systematic development and evolution of flute instruments and "flute" characters, the characteristics and laws of the development of flute are summarized, and the scope of this study is delimited. Second, according to the documents and cultural relics in hand, it is verified from the microscopic point of view that the forms of the flute instruments in the Song Dynasty are mainly: transverse, single tube, one blow hole and six press holes on the same plane of the pipe wall. The paper also makes a detailed analysis of the shape and characteristics of the two kinds of musical instruments, namely, "Xiao" and "Xiao", which have been excluded from the meaning of "flute" in the Southern Song Dynasty. Thirdly, taking the use function and occasion of the musical instrument of the Song Dynasty as the classification standard, this paper examines and distinguishes the use of Song Di in all kinds of musical art forms, and defines the vulgarity and entertainment of the function attribute of Song Di; (4) studying concretely the "tube color finger" in "Shi Lin Guang Ji", analyzing the relationship between its finger method, the common character spectrum and the work scale spectrum, and drawing the conclusion that "the tube color finger method and the modern flute playing finger method really have similarities and differences". And the conclusion that "singing and earning" may be the score of the flute; Fifthly, based on the above research, the reasons for the prosperity of the Song Dynasty are that the development of the flute in the Song Dynasty conforms to the trend of historical and social development and accords with the aesthetic concept of the people at that time. And the musical instrument itself has the nature and characteristics which coincides with the characteristics of the times. It also lays a solid foundation for the development of rich and colorful opera music in later generations. The key content of this study is the second, third, fourth and fifth parts of the thesis. With these topics still a blind spot in the study of music history, I hope this paper can provide some useful data for the relevant research. More can enrich the work of music history materials.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J609.2

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 徐利華;宋代雅樂樂歌研究[D];南開大學(xué);2012年

相關(guān)碩士學(xué)位論文 前2條

1 張瑞媛;《全宋詞》所涉樂器與宋詞關(guān)系研究[D];西南大學(xué);2010年

2 唐萱;“八音”：歷史系譜與文化意涵[D];西南大學(xué);2012年

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本文編號：2384056