【摘要】： 目前在我國,有相當(dāng)數(shù)量的鋼琴演奏者力圖把鋼琴演奏作為自己的未來職業(yè)去追求。其中有一部分人已經(jīng)通過自己的努力,在鋼琴演奏領(lǐng)域得到了廣泛的認(rèn)可,甚至受到世界級(jí)鋼琴演奏家們的贊賞。然而鋼琴演奏舞臺(tái)上“曇花一現(xiàn)”的情況,在我國是普遍存在的現(xiàn)象。因此,我國的鋼琴演奏者怎樣才能使其鋼琴演奏藝術(shù)保持長(zhǎng)久的生命力,并帶給人們美好的精神享受,成為音樂文化的合格傳播者,是音樂學(xué)研究者迫在眉睫需要解決的問題。 本文主要從鋼琴演奏者應(yīng)具備的綜合素質(zhì)對(duì)其演奏藝術(shù)所產(chǎn)生的影響來進(jìn)行研究,加以分析具體的音樂作品,分別對(duì)怎樣培養(yǎng)鋼琴演奏者的演奏技術(shù)、專業(yè)理論修養(yǎng)、人文素養(yǎng)和心理素質(zhì)等四個(gè)方面做逐步深入的探討,概括出它們之間的互相滲透與融合是鋼琴演奏者保持長(zhǎng)久藝術(shù)生命力的法寶。筆者受培養(yǎng)鋼琴演奏者綜合素質(zhì)的途徑這一問題的啟發(fā),總結(jié)出目前我國鋼琴演奏者迫切需要解決的兩個(gè)問題。一是,無論是業(yè)余的鋼琴學(xué)子還是音樂院校鋼琴專業(yè)的學(xué)生,都需要改善其重技輕藝的觀念,并且要求演奏者、教師和家長(zhǎng)三者之間的密切配合,最終使鋼琴演奏者能夠全面發(fā)展自己的演奏藝術(shù)。二是,我國的鋼琴演奏者在其演奏藝術(shù)中,還需進(jìn)一步重視其自身固有的民族性和時(shí)代性。我國鋼琴演奏者要以中國文化精神為根基,積極吸收西方文化的精髓,逐漸摸索出適合自己、并且有中國特色的鋼琴演奏藝術(shù);鋼琴演奏者要適應(yīng)時(shí)代的需求,不能固步自封,要把古典與現(xiàn)代更好地融于一身,使其更加能夠被現(xiàn)代社會(huì)所接受,以便更好地為鋼琴演奏藝術(shù)的傳播工作做出自己的貢獻(xiàn)。
[Abstract]:At present, there are quite a number of piano players trying to pursue piano playing as their future career. Some of them have been widely recognized in the field of piano playing and even appreciated by world-class pianists through their own efforts. However, the "flash in the pan" on the piano playing stage is a common phenomenon in our country. Therefore, how the piano players in our country can make their piano performance art maintain long-term vitality, bring people a good spiritual enjoyment, become a qualified communicator of music culture, is an urgent problem for musicology researchers to solve. This article mainly from the piano player should have the comprehensive quality to its performance art produces the influence to carry on the research, carries on the analysis concrete music work, separately how to train the piano performer's performance technology, the specialized theory accomplishment, This paper discusses the four aspects of humanistic accomplishment and psychological quality, and concludes that the mutual penetration and fusion between them are the magic weapon for piano players to maintain their long-term artistic vitality. Inspired by the problem of how to cultivate the comprehensive quality of piano players, the author summarizes two urgent problems that need to be solved by piano players in our country. First, both amateur piano students and students majoring in piano in music academies need to improve their concept of attaching importance to technology rather than skill, and require close cooperation among performers, teachers and parents. Finally, the piano players can develop their own playing art in an all-round way. Second, the piano players in our country should pay more attention to their inherent nationality and times in their performance art. The piano players in our country should take the spirit of Chinese culture as the foundation, absorb the essence of western culture actively, and gradually find out the piano playing art that is suitable for themselves and have Chinese characteristics. In order to make contribution to the dissemination of piano playing art, we should integrate classical and modern music better and make it more acceptable in modern society.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J624.1

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 彭曉鯤;;淺談現(xiàn)代鋼琴教學(xué)中的問題及改革方法[J];吉林省教育學(xué)院學(xué)報(bào)(下旬);2012年05期

，

本文編號(hào)：2271446