【摘要】：隨著近些年來對吳地民歌研究的陸續(xù)展開,對于民歌的研究正在日益走向成熟,研究成果逐漸向縱深方面、向?qū)ｉT化方面發(fā)展。然而,盡管目前對于吳地民歌的研究取得了很多可喜的成果,但大都是一種宏觀性的研究,是對吳地民歌發(fā)展、演變、保護和傳承的整理。對蘆墟山歌的研究主要體現(xiàn)在兩個方面,一方面體現(xiàn)在藝術(shù)層面上,多集中于蘆墟山歌的音樂特征、演唱形式、曲調(diào)風(fēng)格等等,另一方面表現(xiàn)在民俗學(xué)方面,集中于對其生存現(xiàn)狀、保護傳承話題的討論。對文本本體的研究,多集中于長篇敘事山歌《五姑娘》,以致于蘆墟山歌其他的文本內(nèi)容研究乏人問津。本文從宏觀把握和微觀研究相結(jié)合。宏觀上,了解吳地民歌的研究現(xiàn)狀,確定論文寫作的重點和難點所在。微觀上,結(jié)合吳歌發(fā)展的源流,具體到蘆墟山歌的本體研究。對于文本的掌握是文學(xué)研究的基礎(chǔ),因此,文章的重點勢必是對蘆墟山歌本身的研究。通過對蘆墟山歌的本體研究,特別是蘆墟山歌的體制研究和意象選擇兩個方面,使人們更真切地了解當(dāng)時民眾的生存狀況和社會心態(tài),了解蘆墟山歌在吳地民歌中特殊的地位,從山歌文本出發(fā),體現(xiàn)出它的風(fēng)格特點與民俗文化。正文具體安排為四章,分別為：第一章蘆墟山歌的主要內(nèi)容：從大量反映生活苦難的民歌中體現(xiàn)山歌的反壓迫反封建意識,從女性大膽追求愛情自由中挖掘山歌的女性意識。第二章蘆墟山歌的體制形式：從短山歌和長山歌兩種不同的體裁樣式進行舉例說明,重點闡述了長篇敘事山歌的結(jié)構(gòu)特點,包括以時間、空間作為脈絡(luò)組織結(jié)構(gòu)、以相同的句子作為組織結(jié)構(gòu)以及以人物對話進行組織結(jié)構(gòu)。第三章蘆墟山歌的意象選擇：列舉了山歌中的“酒”意象、“繡”意象、“桑園”意象。第四章蘆墟山歌的地域色彩：從民俗學(xué)角度分析了蘆墟當(dāng)?shù)氐纳疃Y俗、民間信仰以及語言特色。
[Abstract]:With the development of the research on folk songs in Wudi in recent years, the research on folk songs is becoming more and more mature, and the research results gradually develop to the depth and specialization. However, although many gratifying achievements have been made in the study of folk songs in Wu, most of them are macro studies, which are the arrangement of the development, evolution, protection and inheritance of folk songs in Wu. The research on Luxu folk songs is mainly reflected in two aspects: on the one hand, on the artistic level, it focuses on the musical characteristics, singing forms, tunes of Luxu folk songs, and on the other hand, on folklore. Focus on its survival status, protection of the topic of heritage discussion. The study of text Noumenon is mainly focused on the long narrative folk songs "five Girls", so that the study of other text contents of Luxu folk songs is neglected. This paper combines macro-grasp and micro-research. Macroscopically, understand the research status of Wudi folk songs and determine the key points and difficulties of the thesis writing. Micro-level, combined with the source of the development of Wu Song, specifically to the Noumenon study of Luxu folk songs. Mastering the text is the basis of literary research, therefore, the focus of the article is the study of the Luxu folk songs themselves. Through the study of the Noumenon of the Luxu folk songs, especially the system research and the image selection of the Luxu folk songs, people can really understand the living conditions and social mentality of the people at that time, and understand the special position of the Luxu folk songs in the folk songs of the Wu area. From the folk song text, reflects its style characteristic and the folk custom culture. The text is divided into four chapters: the first chapter is the main contents of the Luxu folk songs: it reflects the anti-oppression and anti-feudal consciousness of the folk songs reflecting the suffering of life, and excavates the female consciousness of the folk songs from the women's bold pursuit of love freedom. The second chapter is about the institutional form of Luxu folk songs: from two different styles of short folk songs and long folk songs, the paper illustrates the structural characteristics of the long narrative folk songs, including the time and space as the choroid organizational structure. The same sentence is used as the organizational structure and the character dialogue is used as the organizational structure. Chapter three: the image selection of Luxu folk songs: the image of "wine", "embroidery" and "mulberry garden" are listed. Chapter four: the regional color of Luxu folk songs: from the perspective of folklore, this paper analyzes the local customs, folk beliefs and language characteristics of Luxu.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J607

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