【摘要】：正"大、中、小蘆笙的配置蘊涵著陰陽學(xué)說。大蘆笙屬陽、地筒屬陰;次大蘆笙屬陽、中蘆笙屬陰;次中蘆笙屬陽、小蘆笙屬陰。整堂蘆笙的配音中大、次大蘆笙為天音;地筒、小蘆笙為地音;中、次中蘆笙為人音。即大、次大蘆笙為高、遠(yuǎn)位音;中、次中蘆笙為次高、次遠(yuǎn)位音;小蘆笙、地筒為低、近位音;高、遠(yuǎn)、次高、次遠(yuǎn)、低、近位音合成一體。"在蘆笙配置的表層和諧背后,是侗族人深層的生命追求和文化內(nèi)涵——
[Abstract]:The collocation of Lusheng contains the theory of yin and yang. Large Lusheng belongs to yang, the earth tube is yin; second big Lusheng is yang, middle Lusheng is yin; secondary Lusheng is yang, small Lusheng is yin. The whole hall of Lusheng dubbing, the second Lusheng for the sky; ground tube, small Lusheng for the voice; Lusheng, second, the voice. That is, big, second big Lusheng is high, distant sound; middle, second middle Lusheng is secondary high, secondary distant sound; small Lusheng, ground tube is low, near position sound; high, far, second high, second far, low, near position sound synthesis one body. " Behind the surface harmony of Lusheng configuration is the deep life pursuit and cultural intension of Dong people.
【分類號】：J632.12

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