【摘要】：以往的美學(xué)家們大都只從專(zhuān)業(yè)藝術(shù)的角度來(lái)討論藝術(shù)的美學(xué)問(wèn)題,忽略了民間傳統(tǒng)藝術(shù)創(chuàng)作和傳統(tǒng)藝術(shù)形式的美學(xué)特征。本文主要探討兩個(gè)問(wèn)題:民俗文化的"意味"是怎樣在民間音樂(lè)的形式中體現(xiàn)的?而民間音樂(lè)的形式又是如何被民俗文化的"意味"所規(guī)范的?提出"有意味的形式和有形式的意味"這一美學(xué)議題,以中國(guó)民間音樂(lè)的實(shí)例說(shuō)明其中"形式"和"意味"間的辯證關(guān)系。
[Abstract]:In the past, most aestheticians only discussed the aesthetic problems of art from the angle of professional art, ignoring the aesthetic characteristics of folk traditional art creation and traditional art forms. This article mainly discusses two questions: how is the "meaning" of folk culture reflected in the form of folk music? And how is the form of folk music regulated by the "meaning" of folk culture? This paper puts forward the aesthetic topic of "meaningful form and formal meaning", and illustrates the dialectical relationship between "form" and "meaning" in the case of Chinese folk music.
【作者單位】： 中國(guó)藝術(shù)研究院音樂(lè)研究所;
【分類(lèi)號(hào)】：J607

【參考文獻(xiàn)】

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本文編號(hào)：2176832