【摘要】： 提及18世紀(jì)前半葉的鋼琴音樂,人們往往更多的關(guān)注于德國(guó)的巴赫與亨德爾,意大利的斯卡拉蒂,而對(duì)法國(guó)的弗朗索瓦·庫(kù)普蘭的重視及研究程度遠(yuǎn)遠(yuǎn)不及前幾位作曲家。與巴赫對(duì)巴洛克音樂時(shí)代的總結(jié)與里程碑意義相比,弗朗索瓦·庫(kù)普蘭的兩百多首古鋼琴曲則是洛可可音樂的精華。 研究庫(kù)普蘭的古鋼琴曲,可以讓我們對(duì)從巴洛克時(shí)期到古典主義時(shí)期之間的鋼琴音樂風(fēng)格的演變有更好的理解和把握,同時(shí),他在古鋼琴曲中所表現(xiàn)的內(nèi)容以及他表現(xiàn)內(nèi)容所運(yùn)用的形式,不僅為古典時(shí)期(海頓、莫扎特、貝多芬時(shí)期)開拓了道路,也對(duì)后來(lái)的門德爾松、德彪西、拉威爾等許多音樂大師產(chǎn)生了深遠(yuǎn)的影響。 本文試圖從當(dāng)時(shí)的社會(huì)風(fēng)尚、歷史傳承來(lái)挖掘庫(kù)普蘭鋼琴音樂風(fēng)格的形成,并且分析其鋼琴音樂風(fēng)格的特征,從其四卷古鋼琴曲譜以及CD資料著手,對(duì)標(biāo)題、題材、裝飾音等進(jìn)行探析,力圖從多角度把握庫(kù)普蘭的鋼琴音樂風(fēng)格,從而指導(dǎo)我們對(duì)其鋼琴作品的演奏,并且揭示出其古鋼琴作品音樂風(fēng)格對(duì)后世作曲家所具有的啟示性意義。 全文分三個(gè)大部分: 第一部分:偉大的庫(kù)普蘭。介紹弗朗索瓦·庫(kù)普蘭的生平及其創(chuàng)作的時(shí)代背景。 第二部分:庫(kù)普蘭與他的標(biāo)題音樂。從他的標(biāo)題鋼琴音樂分類、作品的特征、以及與同時(shí)期其他作曲家的異同分析他的獨(dú)特風(fēng)格。 第三部分:庫(kù)普蘭標(biāo)題音樂對(duì)鋼琴音樂發(fā)展產(chǎn)生的影響。通過對(duì)標(biāo)題音樂的發(fā)展過程以及他的標(biāo)題音樂風(fēng)格對(duì)以后各個(gè)時(shí)期作品的影響,充分展現(xiàn)了庫(kù)普蘭的價(jià)值。
[Abstract]:When it comes to piano music in the first half of the 18th century, people tend to pay more attention to Bach and Handel in Germany and Scarlatti in Italy. Compared with Bach's summary and milestone of Baroque music era, more than two hundred ancient pianos by Francois Kupland are the essence of Rococo music. The study of Kupland's ancient piano music can give us a better understanding of the evolution of piano music style from the Baroque period to the classical period, and at the same time, The content he performed in the ancient piano and the form in which he performed it not only opened the way for the classical period (Haydn, Mozart, Beethoven), but also for the later Mendelssohn, Debussy. Many musicians, such as Ravel, had a profound influence. This paper attempts to excavate the formation of Kupland's piano music style from the social fashion and historical heritage of that time, and analyzes the characteristics of its piano music style, starting from its four volumes of ancient piano music and CD materials, the title, the subject matter, This paper tries to grasp Kupland's piano music style from many angles, so as to guide us to play his piano works, and to reveal the enlightening significance of his ancient piano works' musical style to the future composers. The paper is divided into three parts: the first part: the great Kupland. This paper introduces the life of Francois Coupland and the background of his creation. The second part: Kupland and his title music. His unique style is analyzed from the classification of his title piano music, the characteristics of his works, and his similarities and differences with other composers of the same period. The third part: the influence of Kupland title music on piano music development. Through the development of the title music and the influence of his title music style on the later works, it fully shows the value of Kupland.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J624.1

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本文編號(hào)：2143200