發(fā)布時(shí)間：2018-07-25 08:06

【摘要】： 自羅忠昒先生1980年創(chuàng)作《涉江采芙蓉》以來,我國(guó)作曲家開始了對(duì)十二音序列技法的探索,并創(chuàng)作出了不少具有中國(guó)民族性的優(yōu)秀作品。 本文以我國(guó)成功的十二音作品為研究對(duì)象,結(jié)合自己的創(chuàng)作實(shí)踐,從序列音樂的起源與研究?jī)r(jià)值、五聲序列的設(shè)計(jì)、旋律、和聲、織體、曲式結(jié)構(gòu)、配器及實(shí)踐與創(chuàng)作分析幾個(gè)方面來分析中國(guó)的十二音作品。論文的第一章闡述了序列音樂的起源及研究?jī)r(jià)值；第二章分析我國(guó)優(yōu)秀的十二音作品,歸納總結(jié)出其民族化用法,并融入自己的一些觀點(diǎn)和看法；第三章是對(duì)本人的探索性作品——鋼琴獨(dú)奏曲《音詩—記5.12》進(jìn)行實(shí)踐與創(chuàng)作分析。在創(chuàng)作中,如何使十二音音樂五聲化是音樂實(shí)踐中的重要課題,也是本文的寫作重點(diǎn)所在。 本文力圖通過這些分析、研究、論述,引起學(xué)術(shù)界對(duì)“我國(guó)的十二音作品”做進(jìn)一步的關(guān)注,并對(duì)“十二音序列音樂的民族化”做更為深入的了解和認(rèn)識(shí),同時(shí),衷心希望這一課題能對(duì)我國(guó)現(xiàn)代音樂的創(chuàng)作與研究起到某種參考作用。
[Abstract]:Since Mr. Luo Zhonghui wrote "Seaporong in the River" in 1980, Chinese composers have begun to explore the techniques of 12-tone sequence, and have created many excellent works with Chinese nationality. This article takes the successful twelve tone works of our country as the research object, unifies own creation practice, from the sequence music origin and the research value, the pentatonic sequence design, the melody, the harmony, the texture, the musical form structure, Orchestration and practice and creative analysis of several aspects to analyze the 12-tone works in China. The first chapter describes the origin and research value of serial music, the second chapter analyzes the outstanding works of twelve syllables in China, sums up their use of nationalization, and integrates their own views and opinions. The third chapter is the practice and creative analysis of my exploratory work, Piano Solo, Phonograph 5.12. In creation, how to make twelve-tone music pentatonic music is an important subject in music practice, and is also the focal point of this paper. Through these analysis, research and discussion, this paper tries to arouse the academic circles to pay more attention to "our country's twelve syllables", and to make a deeper understanding and understanding of "the nationalization of twelve tone sequence music", at the same time, Sincerely hope that this topic can play a certain reference role in the creation and research of modern music in China.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J614

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 路統(tǒng)潔;;《涉江采芙蓉》的風(fēng)格及技巧分析[J];芒種;2012年02期

相關(guān)碩士學(xué)位論文 前1條

1 李俐蓓;儲(chǔ)望華鋼琴作品《隨想組曲—靈隱之聲》的創(chuàng)作與演奏研究[D];河南大學(xué);2012年

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本文編號(hào)：2143171