本文選題：早期 + 法國　； 參考：《文藝研究》2013年05期

【摘要】：正法國的弦樂藝術(shù)是在宮廷的提倡下發(fā)展起來的,法國皇帝非常重視權(quán)威的作用,將"四十位不朽者"留到宮廷中,形成一個學(xué)術(shù)發(fā)展的力量。由于皇帝的提倡,藝術(shù)家都競相在宮廷的沙龍顯示自己的才能。法國圣靈音樂會——這種長期以宮廷皇室為后盾的定期音樂會,是一個具有國際比賽性質(zhì)的藝術(shù)活動,也是演奏美學(xué)爭奇斗艷之地。法國藝術(shù)講究舉止文雅、教養(yǎng)高貴、筆調(diào)精妙的趣味,這些歷史條件形成法國提琴樂派生長和發(fā)展的特殊土壤,其代
[Abstract]:The art of string music in France was developed under the advice of the court. The French emperor attached great importance to the role of authority and left the "Forty Immortals" in the court to form a force for academic development. As a result of the emperor's advocacy, artists are competing to show their talents in the salon of the court. The French Holy Spirit Concert, a regular concert backed by the royal court for a long time, is an art event of international competition and also a place of contention for performing aesthetics. French art pays attention to the taste of elegance, upbringing, and exquisite style of writing. These historical conditions form the special soil for the growth and development of French cellist.
【作者單位】： 山西師范大學(xué)音樂學(xué)院;
【分類號】：J622.1
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本文編號：2103095