本文選題：鼓樂社 + 銅器社�。� 參考：《西安音樂學(xué)院》2009年碩士論文

【摘要】： 西安鼓樂在民間又稱為“細(xì)樂”或“樂器”,流行于陜西省西安市以及鄰近終南山麓各縣,是承繼了唐宋遺音且“律調(diào)譜器曲”保存最為完整的大型民間吹打樂合奏樂種,被譽(yù)為“音樂的活化石”。追溯其產(chǎn)生的歷史淵源,從樂譜譜式、宮調(diào)體系、樂曲結(jié)構(gòu)、曲名以及樂器使用等方面的文獻(xiàn)資料綜合分析顯示,它與唐代燕樂中的大曲有著密切的聯(lián)系,可能源于唐、興于宋而盛于明清,其樂種本身具有悠久的歷史和深厚的學(xué)術(shù)研究價(jià)值。在對西安鼓樂長達(dá)五十余年的研究歷程中,理論研究隊(duì)伍不斷壯大,研究成果豐碩,學(xué)術(shù)影響力也日益受到學(xué)界和社會(huì)關(guān)注,主要集中于史學(xué)、樂律學(xué)、樂譜學(xué)、曲詞學(xué)、音樂形態(tài)學(xué)、樂器學(xué)等研究領(lǐng)域,具體反映在學(xué)術(shù)論文、曲譜集和學(xué)術(shù)專著三個(gè)方面。從研究趨向來看,主要集中于歷史溯源以及音樂本體的分析研究層面。而對西安地區(qū)民間鼓樂社與銅器社在廟會(huì)民俗活動(dòng)中演唱、演奏的音樂形式“念詞”、“歌章”,則關(guān)注不多,理論著述成果較少,是一個(gè)長期被忽視的學(xué)術(shù)研究領(lǐng)域。目前僅見到李石根的《流行在西安地區(qū)的民間念詞音樂》、燕寧的《長安古樂的歌章》以及褚歷的《西安鼓樂中的民間宗教儀式歌曲——念詞》三篇專題論文,學(xué)界涉獵不深,是一個(gè)值得深入挖掘的研究課題。筆者亦真誠希望能夠通過此課題的系統(tǒng)研究,對拓展西安鼓樂研究領(lǐng)域作積極的思考與探索。 筆者先后對都城隍廟鼓樂社、大吉昌鼓樂社、東倉鼓樂社、周至縣南集賢東、西村鼓樂社、何家營鼓樂社以及府三學(xué)古銅器社、端履門朝賀巷古銅樂社、南四府街古紅廟鼓樂社、保吉巷古銅樂社、城北聯(lián)志村古銅器社以及西關(guān)王家巷古銅器社等民間樂社進(jìn)行了實(shí)地調(diào)查,對上述樂社流傳的十一首念詞歌調(diào)及相關(guān)唱詞進(jìn)行了細(xì)致的搜集、記譜整理、音樂形態(tài)分析以及理論闡述,一定程度上起到了搜集整理及匯編的作用。 本文在大量實(shí)地調(diào)查的基礎(chǔ)上,對念詞、歌章的概念界定、所依附的樂社概況、贊以及唱詞曲調(diào)和伴奏樂器的音樂形態(tài)分析、廟會(huì)民俗活動(dòng)中的表演程序、受眾原因以及傳承、保護(hù)及創(chuàng)新等方面進(jìn)行了細(xì)致的理論闡述,并結(jié)合多視角、全觀性的研究策略,借助社會(huì)學(xué)、民俗學(xué)、文化人類學(xué)等多學(xué)科的理論,對其發(fā)展及現(xiàn)狀進(jìn)行學(xué)理追問,力求將念詞、歌章作為一種音樂文化現(xiàn)象來認(rèn)知和體驗(yàn)。
[Abstract]:Xi'an drum music, also known as "fine music" or "musical instrument" among the people, is popular in Xi'an City, Shaanxi Province, as well as in the counties adjacent to the foothills of the South China Mountains. It is a large folk music ensemble that inherits the posthumous notes of the Tang and Song dynasties and preserves the most complete folk music. Known as a living fossil of music. Tracing back to its historical origin, the comprehensive analysis of the literature and materials from the aspects of music spectrum, palace tune system, music structure, music name and musical instrument use shows that it has close relation with the great song in Yan music in Tang Dynasty, which may have originated from the Tang Dynasty. Rising in Song and Sheng in Ming and Qing dynasties, its music itself has a long history and profound academic research value. In the research process of Xi'an drum music for more than 50 years, the theoretical research team is growing, the research results are rich, the academic influence has been paid more and more attention to by the academic circles and the society day by day, mainly concentrates on the history, the music law science, the music score science, the song ci science. The research fields of music morphology and musical instrument are reflected in three aspects: academic papers, collection of music compositions and academic monographs. From the perspective of research trend, it mainly focuses on historical traceability and the analysis and research of music Noumenon. However, the folk drum club and bronze ware club in Xi'an region sing in the folk activities of temple fairs and perform music forms such as "reciting words" and "songs and seals", but they pay little attention to them, and the theoretical works are less, which is a long neglected academic research field. At present, there are only three monographs on Li Shigen's "popular Folk recitation Music in Xi'an", Yan Ning's "Song Zhang of Chang'an Ancient Music" and Chu Li's "Folk religious ritual songs in Xi'an drum music-reciting words". The academic circles are not deep enough to dabble in them. It is a research subject worth digging deeply. The author also sincerely hopes to develop the field of Xi'an drum music research through the systematic research of this subject. The author successively studied the City God Temple drum club, the Dagichang drum club, the Dongcang drum music club, the Zhouzhi County Nanji Xian Dong, the Xicun drum club, the Ho Jia Ying drum club and the Fusanxue Ancient Bronze Society, and the Duanlumen Chaohe Xiang Ancient Bronze Music Society. Nansifu Street Guhong Temple Guyue Society, Baoji Xiang Ancient Bronze Music Society, North City Lianzhi Village Ancient Bronze Society, Xiguan Wangjia Xiang Ancient Bronze Society and other folk music clubs carried out field investigations. To the above music club, eleven songs and related lyrics are collected, recorded, music form analysis and theoretical elaboration, to a certain extent, played the role of collection and compilation. On the basis of a large number of field investigations, this paper defines the concept of recitation, song and chapter, the general situation of the music club attached to it, the music form analysis of the tune and accompaniment instrument, the performing procedure in the folk activities of temple fairs, the audience reasons and the inheritance. This paper expounds the theory of protection and innovation in detail, and discusses its development and present situation with the help of the theories of sociology, folklore, cultural anthropology, and so on, with the help of multi-angle, full-view research strategy, and the theory of sociology, folklore, cultural anthropology, and so on. Try to read words, songs as a musical cultural phenomenon to recognize and experience.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J607

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 孫茂利;音樂本體中心特征一致性的背后意義[D];中國藝術(shù)研究院;2013年

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本文編號：2077267