本文選題：弱音訓練 + 歌唱機能　； 參考：《武漢音樂學院》2010年碩士論文

【摘要】： 在聲樂藝術(shù)中弱音的歌唱是非常重要的,是藝術(shù)形象塑造的重要手段之一。要唱好弱音并非易事,沒有經(jīng)過專門訓練很難完成。在聲樂學習的開始階段注重弱音訓練,對于正確聲音觀念的形成以及正確發(fā)聲狀態(tài)的確立有著積極的作用。本文試從歌唱的基本原理入手,說明了弱音的歌唱機能,解析了歌唱弱音的狀態(tài)和氣息,闡述了共鳴器官和發(fā)聲器官在弱音訓練中的作用,探討了弱音訓練的途徑和意義。在弱音訓練的基礎上,從使用不同訓練手段對歌唱機能的改變,及歌唱機能的改變對聲音的影響等不同角度來解讀弱音訓練,對于準確解析弱音訓練,及如何通過弱音訓練獲得美好聲音提供理論依據(jù)。
[Abstract]:Weak singing is very important in vocal music art, and it is one of the important means to create artistic image. To sing weak sound is not easy, without special training is difficult to complete. At the beginning of vocal music learning, we pay attention to weak tone training, which plays a positive role in the formation of correct sound concept and the establishment of correct vocal state. This paper begins with the basic principle of singing, explains the singing function of weak sound, analyzes the state and breath of weak sound in singing, expounds the function of resonance organ and vocal organ in weak sound training, and probes into the way and significance of weak sound training. On the basis of weak tone training, this paper interprets the weak tone training from different angles, such as using different training methods to change the singing function and the influence of the singing function change on the sound, so as to accurately analyze the weak tone training. And how to get good sound through weak tone training provides the theoretical basis.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J616

【引證文獻】

相關碩士學位論文 前1條

1 田耕;聲樂“半聲演唱技巧”教學之我見[D];東北師范大學;2011年

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本文編號：2070916