本文選題：莫扎特 + 莫扎特男高音　； 參考：《西安音樂學(xué)院》2009年碩士論文

【摘要】： 莫扎特是維也納古典樂派的集大成者,其歌劇的創(chuàng)作代表了古典主義時(shí)期歌劇創(chuàng)作的最高水品。他的歌劇作品在整個(gè)歌劇史上具有非凡的歷史地位。他以其高超的音樂語言賦予了各個(gè)歌劇角色鮮活的生命力。他對于男生聲部尤其是男高音聲部充滿了獨(dú)特的創(chuàng)作熱情,并且創(chuàng)作了眾多鮮活的人物形象和膾炙人口的唱段,至今還為人們所津津樂道。而這些男高音角色身上都有著莫扎特風(fēng)格的標(biāo)簽。莫扎特歌劇《后宮誘逃》中的貝爾蒙特,《唐?璜》中的奧塔維奧以及《魔笛》中的塔米諾等形象就極具這一風(fēng)格。這些人物形象大都純情、善良、熱愛生命,對愛情充滿純真和虔誠的向往。在音樂語言上充滿了極具詩意的唯美旋律。在演唱風(fēng)格上具有明亮抒情的特點(diǎn)。而今天人們把這些角色以及適合演唱這些角色的歌手都稱為“莫扎特男高音”足可以說明莫扎特歌劇作品中男高音角色點(diǎn)典型性。所以作為歌者來講無論是在扮演這些角色時(shí),或者是在演唱這些角色的唱段時(shí)都應(yīng)該把握好這些角色的演唱風(fēng)格和莫扎特歌劇的整體特點(diǎn)。
[Abstract]:Mozart is the masterpiece of the Vienna classical music school, whose opera represents the highest water quality of opera creation during the classicism period. His opera works have a remarkable place in the whole history of opera. With his superb musical language, he endowed various opera characters with fresh vitality. He is full of unique enthusiasm for the male voice, especially the tenor, and has created many vivid characters and popular songs, which have been talked about by people today. And these tenor characters have Mozart labels on them. Beaumont in Mozart's opera "the harem", < Don? The images of Ottavio in Juan and Tamino in Pied Piper have this style. These figures are mostly pure, kind, love life, love full of pure and devout yearning. In the music language is full of poetic aesthetic melody. The singing style has the characteristic of bright lyricism. Today, people call these characters and the singers who are suitable to sing these characters as "Mozart tenor", which can explain the typical tenor character in Mozart's opera works. Therefore, the singer should grasp the singing style of these characters and the overall characteristics of Mozart opera.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉波;抒情男高音在歌劇中的藝術(shù)表現(xiàn)力[D];陜西師范大學(xué);2012年

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本文編號：1988858