本文選題：后現(xiàn)代 + 后現(xiàn)代主義�。� 參考：《大連理工大學》2010年碩士論文

【摘要】： 隨著后現(xiàn)代主義思潮的產(chǎn)生,后現(xiàn)代主義音樂思潮(以下簡稱后現(xiàn)代音樂思潮)也隨之形成,先是對西方音樂領域繼而對我國音樂領域的各方面均產(chǎn)生了極大的沖擊和影響,對當代大學生亦產(chǎn)生了一定程度的影響,因此有必要對其進行全面系統(tǒng)地梳理研究。 本文以音樂藝術為對象,結合后現(xiàn)代社會學理論和音樂學等的相關視角,從對后現(xiàn)代音樂思潮產(chǎn)生的背景及理論淵源的考證出發(fā),對后現(xiàn)代音樂思潮進行多維度分析,全面梳理后現(xiàn)代音樂思潮在音樂的觀念、創(chuàng)作手法、表演方式及欣賞心態(tài)等各方面對音樂所產(chǎn)生的沖擊和重大影響,總結其藝術特點與總體特征,對其進行客觀評價。在中國,后現(xiàn)音樂思潮隨著改革開放的深入、文化領域“百花齊放”政策的貫徹傳入并不斷沖擊著具有濃厚傳統(tǒng)文化的中國藝術領域,雖然后現(xiàn)代音樂思潮在我國尚屬新生事物,各方面還有待成熟與完善,但其對中國的影響卻不容忽視。因此,本文進一步論述了后現(xiàn)代音樂思潮在中國的傳播和發(fā)展,分析了后現(xiàn)代音樂思潮與中國文化之間的矛盾,特別論述了后現(xiàn)代音樂思潮對當代中國大學生的影響,提出了相關思路與對策。 面對當今后現(xiàn)代音樂思潮迅速傳播蔓延之際,我們對此首先應有一個全面系統(tǒng)深入的認識；其次在分析思考后現(xiàn)代音樂文化時,要有獨立的文化策略與對策；再次應把當代大學生對新事物的本能愛好深化為符合社會進步與發(fā)展潮流的認同和對有悖于社會進步與發(fā)脹潮流的唾棄。這樣才有利于我們以理性的、科學的眼光分析評判后現(xiàn)代音樂思潮,有利于我們批判地吸收借鑒異質(zhì)文化來為我國的音樂文化發(fā)展服務,有利于當代大學生的身心健康發(fā)展和祖國的社會主義文化建設。
[Abstract]:With the emergence of postmodernism, post-modernism music (hereinafter referred to as post-modern music) has formed, which has had a great impact and influence on the western music field and on all aspects of our country's music field. It also has a certain degree of influence on contemporary college students, so it is necessary to make a comprehensive and systematic study on it. This article takes the music art as the object, unifies the post-modern sociology theory and the musicology correlation angle of view, from the post-modern music ideological trend background and the theoretical origin textual research, carries on the multi-dimensional analysis to the post-modern music thought trend of thought. This paper comprehensively combs the impact and great influence of postmodern musical thoughts on music in the aspects of musical concept, creative technique, performance mode and appreciation mentality, summarizes its artistic characteristics and overall characteristics, and evaluates them objectively. In China, with the deepening of reform and opening up, the implementation of the policy of "letting a hundred flowers blossom" in the field of culture has been introduced into and constantly impacted the field of Chinese art with a strong traditional culture. Although the trend of postmodern music is still a new thing in our country, all aspects need to be mature and perfected, but its influence on China can not be ignored. Therefore, this paper further discusses the spread and development of postmodern musical thoughts in China, analyzes the contradiction between postmodern musical trends and Chinese culture, and especially discusses the influence of postmodern musical trends on contemporary Chinese college students. The related ideas and countermeasures are put forward. In the face of the rapid spread of postmodern musical thought, we should first have a comprehensive and systematic understanding of it, secondly, we should have independent cultural strategies and countermeasures when analyzing and thinking about postmodern music culture. Thirdly, the instinctive interest of contemporary college students in new things should be deepened to accord with the trend of social progress and development and to reject the trend of social progress and expansion. Only in this way can we analyze and judge the trend of postmodern music from a rational and scientific perspective, and critically absorb and draw lessons from heterogeneous cultures to serve the development of music culture in our country. It is conducive to the development of the physical and mental health of contemporary college students and the socialist cultural construction of the motherland.
【學位授予單位】：大連理工大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J609.2

【引證文獻】

相關碩士學位論文 前1條

1 李曉俊;后現(xiàn)代主義音樂在電子音樂創(chuàng)作中的應用[D];東北師范大學;2011年

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本文編號：1988981