本文選題：單簧管 + 軍樂隊(duì)��； 參考：《中央音樂學(xué)院》2010年碩士論文

【摘要】： 單簧管是管樂器中最富有表現(xiàn)力的樂器。它的獨(dú)特個性區(qū)別于一切其他木管樂器,無論是聲音音色或是技巧個性,總能夠讓傾聽者在眾多的管樂器演奏或是龐大的交響樂隊(duì)演奏中,感受到它極富魅力和張力的演奏效果。它具有能跨越將近四個八度的寬廣音域,在各個音區(qū)都有著不同的個性化音色,是其他管樂器難以比擬的。并且還因?yàn)樗募记扇A麗、反應(yīng)靈敏、音樂性強(qiáng)等特點(diǎn)而廣泛應(yīng)用于軍樂隊(duì)、交響管樂隊(duì)、管弦樂隊(duì)、爵士樂隊(duì)、輕音樂隊(duì)等等。在管樂隊(duì)中,單簧管更因其富于歌唱性和靈活多變的特點(diǎn),成為首席聲部。 本文則著重介紹了單簧管在管樂隊(duì)中的兩種形式——軍樂隊(duì)和交響管樂隊(duì)中的作用。 單簧管自發(fā)明至今已有三百多年歷史。隨著樂器構(gòu)造的不斷改進(jìn),它在管樂隊(duì)中的作用也不斷發(fā)生變化。 單簧管從18世紀(jì)中期加入軍樂隊(duì)取代雙簧管成為主奏樂器。但隨著其他管樂器的發(fā)展改良,單簧管漸漸從主奏樂器轉(zhuǎn)為裝飾性及色彩性樂器。但是它依然在軍樂隊(duì)中不可替代,并且單簧管聲部首席也是樂隊(duì)首席。 隨著交響管樂隊(duì)的出現(xiàn),單簧管真正確立了自己在管樂隊(duì)中的地位。單簧管憑借著自己在音色上極具表現(xiàn)力、音域?qū)拸V、演奏起來靈活性強(qiáng)等等這些優(yōu)點(diǎn),取代了管弦樂隊(duì)中的弦樂聲部。使作曲家們能夠充分發(fā)揮自己的寫作技巧,不再為管樂創(chuàng)作的技術(shù)障礙所困擾。無論是改編自管弦樂的作品,還是交響管樂的原創(chuàng)作品,單簧管都能完美演繹。同時,單簧管的一些特殊演奏技巧也啟發(fā)了一些作曲家大膽創(chuàng)新。 本人作為解放軍軍樂團(tuán)的單簧管演奏員,長期從事軍樂隊(duì)的儀式司禮演奏和交響管樂隊(duì)的室內(nèi)音樂會演出工作。通過自己的實(shí)踐總結(jié)了一些兩個不同形式的樂隊(duì)演奏上的差異。 本文首先介紹了單簧管的發(fā)展歷史。隨后又介紹了20世紀(jì)前后軍樂在歐洲及美國的發(fā)展。伴隨著軍樂的發(fā)展,管樂合奏音樂漸漸興起,形成了交響管樂隊(duì)這種演出形式。 本文第三章開始論述單簧管在兩個樂隊(duì)中的作用。分別從樂隊(duì)演出形式、曲目特點(diǎn)、編制等,以及單簧管在兩種樂隊(duì)形式中的地位作用、演奏技巧上的差異等方面舉例論述。
[Abstract]:The clarinet is the most expressive of wind instruments. Its unique personality is different from all other woodwind instruments, whether it is sound tone or technical personality, and always allows listeners to play in a large number of wind instruments or in large symphonic bands. Feel it very attractive and tension of the performance effect. It has a wide range spanning nearly four octaves, and has different individual timbre in each sound area, which is incomparable to other wind instruments. It is also widely used in military, symphonic, orchestra, jazz, light music and so on. In the orchestra, the clarinet, because of its singing and flexible characteristics, become the chief voice. This paper mainly introduces the role of clarinet in two forms of orchestra-military band and symphonic band. The clarinet has a history of more than three hundred years since it was invented. With the continuous improvement of the musical instrument structure, its role in the orchestra is constantly changing. The clarinet joined a military band in the mid-18 th century to replace the oboe as the main instrument. But with the development and improvement of other wind instruments, clarinet gradually changed from main instruments to decorative and color instruments. But it is still irreplaceable in military bands, and the clarinet head is also the band leader. With the emergence of symphonic bands, the clarinet really established its place in the orchestra. The clarinet replaces the string part in the orchestra by virtue of its strong performance in tone, wide range, flexibility in playing and so on. So that composers can give full play to their writing skills, and no longer be troubled by the technical obstacles of orchestral creation. The clarinet is perfect for both orchestral and symphonic original works. At the same time, some special clarinet performance techniques also inspired some composers bold innovation. As a clarinet performer of the PLA military Orchestra, I have long been engaged in the military band's ritual performance and the symphony orchestra's indoor concert performance. Through their own practice summarized some of the two different forms of band performance differences. This paper first introduces the history of clarinet development. Then it introduces the development of military music in Europe and America around the 20 th century. With the development of military music, wind ensemble music gradually rose, forming symphonic orchestra this form of performance. The third chapter discusses the role of clarinet in two bands. Examples are given from the following aspects: the form of the band performance, the characteristics of the repertoire, the compilation of the clarinet, the role of the clarinet in the two kinds of band forms, and the differences in the performance skills of the clarinet.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J621.4

【參考文獻(xiàn)】

中國期刊全文數(shù)據(jù)庫 前1條

1 劉寶利;董德君;;單簧管的歷史沿革[J];樂府新聲(沈陽音樂學(xué)院學(xué)報);1991年04期

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本文編號：1968335