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普羅科菲耶夫《D大調(diào)第二號(hào)長(zhǎng)笛與鋼琴奏鳴曲》的演奏實(shí)踐探析

發(fā)布時(shí)間:2018-04-27 16:40

  本文選題:二十世紀(jì)音樂(lè) + 普羅科菲耶夫; 參考:《上海音樂(lè)學(xué)院》2009年碩士論文


【摘要】: 本文由引言、正文的三個(gè)章節(jié)和結(jié)語(yǔ)組成,后附參考書(shū)目。 一、簡(jiǎn)述二十世紀(jì)初音樂(lè)的語(yǔ)言和風(fēng)格,同時(shí)引出普羅科菲耶夫的生平及創(chuàng)作特征。 二、《D大調(diào)第二號(hào)長(zhǎng)笛與鋼琴奏鳴曲》的創(chuàng)作背景以及作品分析 三、筆者在演奏實(shí)踐上的基礎(chǔ)上通過(guò)對(duì)小提琴版本的對(duì)比以及世界一流長(zhǎng)笛大師演奏音響的對(duì)比,提出更為合適的演奏方法。 本文通過(guò)對(duì)二十世紀(jì)初音樂(lè)發(fā)展特點(diǎn)的闡述以及普羅科菲耶夫創(chuàng)作風(fēng)格的研究,從而歸納出現(xiàn)代音樂(lè)的基本特性與“新古典樂(lè)派”之間的聯(lián)系與區(qū)別。全面解釋《D大調(diào)第二號(hào)長(zhǎng)笛與鋼琴奏鳴曲》的結(jié)構(gòu)、作曲家的樂(lè)思以及音樂(lè)陳述的方法,對(duì)演奏者在理性思考上提供依據(jù)。之后又通過(guò)對(duì)版本的比較,使演奏由理性上升到了感性,在結(jié)合作曲家想要表達(dá)的音樂(lè)形象和現(xiàn)代音樂(lè)的創(chuàng)作風(fēng)格等因素,總結(jié)出恰如其分的演奏方法,這樣又經(jīng)過(guò)了感性到理性的過(guò)程。
[Abstract]:This article consists of introduction, three chapters of the text and conclusion, with a bibliography attached. Firstly, the language and style of music at the beginning of the twentieth century are briefly introduced, and the life and creative features of Prokofyev are also introduced. Second, the background and work analysis of "flute and piano sonata No. 2 in D major" Thirdly, on the basis of playing practice, the author puts forward a more suitable method by contrasting the violin version and the sound playing by the world's first-class flute masters. Through the elaboration of the characteristics of music development in the early 20th century and the study of Prokofyev's creative style, this paper sums up the relationship and difference between the basic characteristics of modern music and the "Neo-Classical Music School". A comprehensive explanation of the structure of "flute and piano sonata No. 2 in D major", the composers' musical thoughts and the methods of musical presentation provide the basis for the players to think rationally. Then through the comparison of the version, the performance rose from rationality to sensibility. In combination with the music image the composer wanted to express and the creative style of modern music, he summed up the appropriate playing methods. In this way, it goes through the process of sensibility to rationality.
【學(xué)位授予單位】:上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2009
【分類號(hào)】:J624.1;J621

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳暉;;臻達(dá)完美的二十世紀(jì)長(zhǎng)笛音樂(lè)瑰寶普羅科菲耶夫與他的《D大調(diào)長(zhǎng)笛奏鳴曲》[J];黃河之聲;2008年17期

2 金m:羽;;普羅科菲耶夫及作品《第二長(zhǎng)笛奏鳴曲》[J];音樂(lè)生活;2008年01期

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