長調到短調的衍變——以蒙古貞地區(qū)民歌音樂形態(tài)衍變?yōu)槔?/H1>

發(fā)布時間：2018-03-21 15:38

  本文選題：調到　切入點：短調　出處：《音樂研究》2013年02期 　論文類型：期刊論文

【摘要】：正一、長調、短調釋義按體裁分類,蒙古族民歌可以分為烏日圖音道(又稱烏日汀道、烏日圖道等)和包古尼道兩大類。烏日圖音道由于其節(jié)拍自由、曲調緩慢、悠長等特點,漢語稱之為"長調";包古尼道是與烏日圖音道相對應的稱謂,其基本形態(tài)是節(jié)拍規(guī)整、節(jié)奏鮮明、結構短小,漢語稱之為"短調"。(一)長調長調,是蒙古族草原游牧音樂文化的主
[Abstract]:First, the interpretation of long tone and short tone is classified according to genre. Mongolian folk songs can be divided into two categories: Urito Road (also known as Uritin Road, Urito Road, etc.) and Baquni Road. Due to its free rhythm, slow tunes, long tunes, etc. In Chinese, it is called "long tune", and Baoguni Dao is a term corresponding to Urito tone, whose basic form is rhythm, rhythm, short structure, and Chinese call it "short tone". (1) long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, Is the master of nomadic music culture of Mongolian grassland
【作者單位】： 衡水學院;
【分類號】：J607
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本文編號：1644488

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