本文選題：打擊樂　切入點(diǎn)：肢體語言　出處：《北方音樂》2014年17期 　論文類型：期刊論文

【摘要】：打擊樂也指打擊樂器,是指所有需要用打和擊的方式發(fā)聲的樂器。在打擊樂中,肢體語言和形體動(dòng)作有著非常重要的作用,隨著打擊樂的發(fā)展,已經(jīng)形成了一套比較固定的、成熟的肢體語言及形體動(dòng)作。肢體語言與形體動(dòng)作可以說是表達(dá)打擊樂情感和情緒的載體,起到為打擊樂錦上添花的作用。本文中分析了打擊樂中運(yùn)用肢體語言與形體動(dòng)作的意義,并分析了如何在打擊樂中運(yùn)用肢體語言與形體動(dòng)作來表達(dá)樂曲。
[Abstract]:Percussion also refers to percussion instruments. It refers to all instruments that need to be heard by beating and striking. In percussion, body language and body movements play a very important role. With the development of percussion, a set of relatively fixed percussion instruments has been formed. Mature body language and body movements. Body language and body movements can be said to be the expression of percussion emotional and emotional carrier, In this paper, the significance of using body language and body movement in percussion is analyzed, and how to use body language and body action to express music in percussion is analyzed.
【作者單位】： 滁州市藝術(shù)學(xué)校;
【分類號(hào)】：J625

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本文編號(hào)：1595133