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  本文關(guān)鍵詞： 演奏直覺 美學(xué) 審美活動 心理學(xué) 生理基礎(chǔ)　出處：《西北民族大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：直覺作為一種特殊的心理機(jī)制,貫穿于人類認(rèn)知過程和創(chuàng)造活動的各個領(lǐng)域,它不僅在實踐創(chuàng)造和科學(xué)認(rèn)識中發(fā)揮著重要作用,還成為哲學(xué)、美學(xué)、心理學(xué)、神經(jīng)學(xué)和腦科學(xué)等學(xué)科共同研究的對象。在藝術(shù)領(lǐng)域中,作為主體的演奏者通過表演完成藝術(shù)創(chuàng)作時,并未經(jīng)過有意識的分析演繹,而是在對客體進(jìn)行感性的審美觀照的即刻,對藝術(shù)形象的內(nèi)在意蘊有了不假思索迅速領(lǐng)悟的能力,這就是“演奏直覺”。 演奏直覺是一種不同于普通理性認(rèn)識的心理認(rèn)知,它的出現(xiàn)方式往往迅速而又直接,帶有很強(qiáng)的瞬間性和或然性的特點,因此這種熟練的審美技能經(jīng)常會營造出一種假象：似乎藝術(shù)創(chuàng)作和藝術(shù)鑒賞中的良好直覺力都是憑借著一種神秘的天賦審美功能而產(chǎn)生的。 其實演奏直覺并不神秘,它的出現(xiàn)包含著一個相當(dāng)高級的心理過程,表面上看來是偶然所得,實際上卻是一個經(jīng)過了信息材料貯存和意識醞釀的必然結(jié)果。它產(chǎn)生于人的潛意識活動,是人在借助了藝術(shù)符號并參與了想象后做出的直接判斷。它既包含了主體自身的直接感受,還包含了主體對客體的理性洞察和透視,是演奏者長期積累的音樂經(jīng)驗和審美素養(yǎng)在一系列復(fù)雜的心理因素的作用下受到某種激發(fā)而轉(zhuǎn)化成的成果,是特定的心理結(jié)構(gòu)的映射。 從美學(xué)角度看,它是演奏者長期的審美意識的建立與培養(yǎng),是審美經(jīng)驗的積極反應(yīng)；從心理學(xué)角度看,它是無意識向意識活動的飛躍和過渡；從生理機(jī)制的角度看,它是大腦左右半球協(xié)同溝通的的結(jié)果。本文擬采用美學(xué)和心理學(xué)知識相結(jié)合的方法,分析和探究演奏直覺的形成原因和這一感性化顯現(xiàn)背后的理性成分。
[Abstract]:Intuition, as a special psychological mechanism, runs through various fields of human cognitive process and creative activities. It not only plays an important role in practical creation and scientific understanding, but also becomes philosophy, aesthetics, psychology, and so on. Subjects such as neurology and brain science. In the field of art, when the performer as the subject completes his artistic creation by performing, he does not undergo conscious analysis and deduction, but at the moment of the perceptual aesthetic view of the object. The inner meaning of artistic image has the ability to comprehend quickly without thinking, this is playing intuition. Playing intuition is a kind of psychological cognition which is different from ordinary rational cognition. It often appears in a rapid and direct way, with strong characteristics of instant and probability. Therefore, this skilled aesthetic skill often creates a false impression that the good intuition in artistic creation and art appreciation is generated by a mysterious natural aesthetic function. In fact, playing intuition is not mysterious. Its appearance involves a rather advanced psychological process, which on the surface appears to be accidental. It is actually an inevitable result of the storage of information materials and the gestation of consciousness. It is the direct judgment made by man after he has used artistic symbols and participated in imagination. It includes not only the direct feelings of the subject itself, but also the rational insight and perspective of the subject to the object. The music experience and aesthetic accomplishment accumulated by the players for a long time are the result of a series of complicated psychological factors, which are the reflection of the specific psychological structure. From the point of view of aesthetics, it is the establishment and cultivation of the performer's long-term aesthetic consciousness and the positive reaction of aesthetic experience; from the psychological point of view, it is the leap and transition from unconscious to conscious activity; from the perspective of physiological mechanism, It is the result of cooperative communication between the left and right hemispheres of the brain. This paper intends to use the method of combining aesthetic and psychological knowledge to analyze and explore the reasons for the formation of playing intuition and the rational component behind this perceptual manifestation.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J624.1

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