本文關(guān)鍵詞：淺析傳播山西民歌的重要途徑——以改編山西左權(quán)民歌合唱為例　出處：《音樂創(chuàng)作》2013年07期 　論文類型：期刊論文

  更多相關(guān)文章： 山西民歌 傳播 合唱 創(chuàng)作手法

【摘要】：山西作為"民歌的海洋",目前保存了近三萬首民歌。其以獨(dú)特的藝術(shù)風(fēng)格和鮮明的地方特色,備受學(xué)界青睞。作為山西民歌傳播生力軍的高校學(xué)生卻對(duì)其知之甚少,甚至以為其是落后的、未經(jīng)雕琢的音樂形式。其根本源于現(xiàn)下音樂院校的"西方音樂化"現(xiàn)象所致。合唱作為高校學(xué)生承認(rèn)的一種方式,把其與地方民間音樂文化相結(jié)合是高校學(xué)生了解山西民歌魅力,并傳承山西民族的有效手段。因而以合唱形式改編山西民歌是傳承山西本土文化的重要途徑。本文通過對(duì)山西民歌的代表——左權(quán)民歌為例,總結(jié)已有民間合唱改編作品中運(yùn)用的創(chuàng)作技法,試圖為山西民歌的傳播尋找一條可行之路。
[Abstract]:Shanxi, as the "Ocean of Folk songs", has preserved nearly 30,000 folk songs, with its unique artistic style and distinctive local characteristics. The college students, who are the new force of Shanxi folk song dissemination, know little about it and even think it is backward. The uncarved music form, which originates from the phenomenon of "western musicalization" in the present music colleges, is regarded as a way for college students to admit it. To combine it with local folk music culture is for college students to understand the charm of Shanxi folk songs. And pass on the effective means of Shanxi nationality. So the adaptation of Shanxi folk songs in the form of chorus is an important way to inherit Shanxi native culture. This paper takes the representative of Shanxi folk songs-Zuo Quan folk songs as an example. This paper summarizes the creative techniques used in folk chorus adaptation works and tries to find a feasible way for the dissemination of Shanxi folk songs.
【作者單位】： 中北大學(xué)音樂系;
【基金】：山西省哲學(xué)社會(huì)科學(xué)課題:構(gòu)建山西民歌傳承體系研究
【分類號(hào)】：J607
【正文快照】： 山西，被譽(yù)為“民歌的海洋”。河曲;晉中之左權(quán)、太谷:呂梁之交城等地更是民歌生存的沃土。據(jù)有關(guān)學(xué)者的統(tǒng)計(jì)，，現(xiàn)下所保存的民歌將近三萬首。但被熟知的卻只有《交城山》、《桃花紅、杏花白》等寥寥幾首。究其根源，是作為傳播生力軍的高校學(xué)生對(duì)此沒有深層次的了解。如此若

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