本文選題：管樂器　切入點：管律　出處：《廈門大學》2002年碩士論文　論文類型：學位論文

【摘要】： 中國的民族管樂器有著七八千年的發(fā)展歷史，是中國民族音樂體系中 的一大重要分支，管樂器從它產(chǎn)生之時起就與音樂的發(fā)展，人民的生活緊 密聯(lián)系，，各個朝代新興的管樂器的出現(xiàn)都是民族音樂發(fā)展進步的標志。今 天音樂舞臺上眾多的民族管樂器，他們是如何在歷史長河中不斷演變和發(fā) 展而來的?這些管樂器的前身具有如何的外形?演奏性能怎樣?它們上是 否具有中國音樂文化發(fā)展的印記?為什么許多管樂器只可從史書的記載中 找到，而現(xiàn)今已無實物可查?等等這些都是研究管樂器發(fā)展研究中國音樂 發(fā)展的主要問題�；仡櫄v史中國有著悠久的民族管樂器發(fā)展的道路，每個 朝代都有著新興的管樂器出現(xiàn)，但是今天的民族樂壇上管樂器的發(fā)展出現(xiàn) 了停滯狀況，如何從歷史的研究中找到管樂器的發(fā)展脈絡并結(jié)合當前音樂 發(fā)展現(xiàn)狀尋求中國管樂器的發(fā)展道路，是民族音樂發(fā)展中不得不思索和正 視的問題。本文即從這些問題著手以歷史時間為線索研究中國管樂器的發(fā) 展情況，即對今后管樂器改革提出自己觀點。全文分為四個部分：第一部分： 簡要回顧中國管樂器在遠古至隋唐時期的發(fā)展狀況，主要是收集各個不同 時期的管樂器種類存在的資料依據(jù)，從中理清各種管樂器的各個階段的外 在形式及演奏性能形成較為清晰發(fā)展脈絡，并進一步研究管樂器在各個階 段所取得的具體的發(fā)展成就。第二部分：從管樂器與音律的發(fā)展關系上來 研究管樂器在歷史進程中于音律的關系，主要以兩方面1． 從管樂器的考古 成果“塤”來研究我國古代音律的發(fā)展概況2． 以荀勖對笛改制來探討管樂 器在促進律制發(fā)展中所起的作用。第三部分：中國管樂器在現(xiàn)今主要民間 吹打樂種中的存在狀況，包括樂器的使用狀況、演奏曲目、社會功能等。 第四部分：現(xiàn)今管樂器的發(fā)展及樂器改革所引起的思考，從現(xiàn)在舞臺上較 為常見的管樂器種類著手來分析今后的管樂器發(fā)展道路，包括演奏技巧、 曲目創(chuàng)作、教育方式、樂器改革等，并通過與日本管樂器發(fā)展現(xiàn)狀的比較， 對我國樂器改革的具體做法提出自己的觀點。 中國傳統(tǒng)管樂器的出現(xiàn)是人類社會的一大進步，是傳統(tǒng)音樂發(fā)展的一個 新紀元，無論過去與現(xiàn)在它都需要在繼承的基礎上加以發(fā)展，使得傳統(tǒng)管 樂器的獨特魁力永放光芒。
[Abstract]:Chinese folk wind instruments have a history of 7,000 years and are part of the Chinese folk music system. One of the most important branches of wind instruments, wind instruments have been closely related to the development of music and the livelihood of the people since it was born. The appearance of each dynasty's new wind instrument is the symbol of the development and progress of folk music. There are many folk wind instruments on the stage of heaven music, how do they evolve and develop continuously in the long river of history. From the show? What is the shape of the predecessor of these wind instruments? How's your performance? It's on them. Does it have the imprint of the development of Chinese music culture? Why many wind instruments can only be recorded in history books. Find it, and there's no real thing to find now? And so on, these are all studies of wind instruments, development, research, Chinese music. Review of the history of China has a long history of the development of national wind instruments road, every. There were new wind instruments in the dynasties, but the development of wind instruments in the national music world today appeared. How to find the development of wind instrument from the historical research and combine the current music with it? It is necessary to think about the development of Chinese wind instruments in the development of folk music. This paper starts with the historical time to study the hair of Chinese wind instruments. The paper is divided into four parts: the first part:. A brief review of the development of Chinese wind instruments from the ancient times to the Sui and Tang dynasties is focused on the collection of different types of wind instruments. The data basis of the types of wind instruments in the period, from which to clarify the various stages of the wind instruments outside. In the form and performance of the formation of a clear development of the context, and further study of wind instruments in the various stages. Specific achievements in the development of musical instruments. Part 2: development of the relationship between wind instruments and rhythms. The study of the relationship between the rhythm of wind instruments in the course of history is mainly from two aspects. 1. Archaeology of wind instruments. Research on the Development of Ancient Rhythm in China 2. Xunxu's Reformation of Flute. The role of apparatus in promoting the development of law-making. Part 3: Chinese wind instruments in the present major folk. The existence of playing music, including the use of musical instruments, repertoire, social functions and so on. Part 4th: the development of today's wind instruments and the thinking caused by the reform of musical instruments. For common types of wind instruments to analyze the future development of wind instruments, including playing skills, Music creation, educational methods, musical instrument reform and so on, and through the comparison with the development of Japanese wind instruments, To our country musical instrument reform concrete method puts forward own viewpoint. The appearance of Chinese traditional wind instruments is a great progress of human society and a development of traditional music. The new era, past and present, needs to be developed on the basis of inheritance, so that the traditional management. The unique force of the instrument shines forever.
【學位授予單位】：廈門大學
【學位級別】：碩士
【學位授予年份】：2002
【分類號】：J609.2;J632

【引證文獻】

相關碩士學位論文 前1條

1 王華;《詩經(jīng)》樂器“八音”類述[D];上海師范大學;2011年

本文編號：1621215