略論中國審美之重建
發(fā)布時(shí)間:2019-08-20 13:25
【摘要】:正中國傳統(tǒng)文化一個(gè)非常突出的品格就是其開放性與包容性。正因?yàn)殚_放,所以能夠包容,能夠接納不同的文化并加以揚(yáng)棄,自覺地吸收其中與我有益的成分,使既有的文化蛻變,重新煥發(fā)出更為強(qiáng)勁的活力與生命力。從中國文化的形成而言,即是融合了內(nèi)地農(nóng)耕文化與塞外游牧文化,進(jìn)而形成了具有強(qiáng)大生命力的中華文化。這一特點(diǎn)也極為典型地體現(xiàn)在審美領(lǐng)域。僅以仰韶文化廟底溝類型的彩陶?qǐng)D案言,就是在堅(jiān)守華夏地區(qū)文化的前提下,
[Abstract]:A very prominent character of Chinese traditional culture is its openness and inclusiveness. It is precisely because of openness that it can be tolerant, accept different cultures and sublate them, consciously absorb the beneficial elements of it, and transform the existing culture and radiate more powerful vitality and vitality. As far as the formation of Chinese culture is concerned, it combines the farming culture in the mainland with the nomadic culture outside Serbia, and then forms the Chinese culture with strong vitality. This characteristic is also typical in the field of aesthetics. Based only on the pattern of painted pottery of Yangshao culture Miaodou type, that is, on the premise of sticking to the culture of Huaxia area,
【作者單位】: 山西省作家協(xié)會(huì);
【分類號(hào)】:B83-0
本文編號(hào):2528657
[Abstract]:A very prominent character of Chinese traditional culture is its openness and inclusiveness. It is precisely because of openness that it can be tolerant, accept different cultures and sublate them, consciously absorb the beneficial elements of it, and transform the existing culture and radiate more powerful vitality and vitality. As far as the formation of Chinese culture is concerned, it combines the farming culture in the mainland with the nomadic culture outside Serbia, and then forms the Chinese culture with strong vitality. This characteristic is also typical in the field of aesthetics. Based only on the pattern of painted pottery of Yangshao culture Miaodou type, that is, on the premise of sticking to the culture of Huaxia area,
【作者單位】: 山西省作家協(xié)會(huì);
【分類號(hào)】:B83-0
【相似文獻(xiàn)】
相關(guān)期刊論文 前6條
1 鄒群燕;;論審美領(lǐng)域中的丑與美[J];滁州學(xué)院學(xué)報(bào);2006年02期
2 楊洲;;中國審美領(lǐng)域中的三個(gè)重要理論范疇——試論詩品、人品和畫品[J];河北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2007年02期
3 張法;審美文化:范圍、性質(zhì)和操作方式[J];上海社會(huì)科學(xué)院學(xué)術(shù)季刊;1994年04期
4 樓昔勇;;美與“關(guān)系”[J];文藝?yán)碚撗芯?1981年04期
5 劉穎;;論審美領(lǐng)域中的欲望對(duì)象化問題[J];青海師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2009年05期
6 ;[J];;年期
相關(guān)會(huì)議論文 前1條
1 楊洲;;中國審美領(lǐng)域中的三個(gè)重要理論范疇——試論詩品、人品和畫品[A];創(chuàng)新·發(fā)展·和諧——河北省第二屆社會(huì)科學(xué)學(xué)術(shù)年會(huì)論文專輯[C];2008年
,本文編號(hào):2528657
本文鏈接:http://sikaile.net/wenyilunwen/meixuelunwen/2528657.html
最近更新
教材專著