【摘要】： 生態(tài)美學思想是在人類和整個地球的生存危機這個大背景下產(chǎn)生的,是立足于自然的現(xiàn)實、社會的現(xiàn)實和學術(shù)的現(xiàn)實而產(chǎn)生的符合當代思想狀況和歷史發(fā)展潮流的一種哲學思想和價值觀念。生態(tài)美學將和諧看做是最高的美學形態(tài),這種和諧不僅是現(xiàn)實的和諧,也是精神上的和諧。生態(tài)美學的深刻內(nèi)涵是包含著新的時代內(nèi)容的人文精神,是一種人與自然和社會達到動態(tài)平衡、和諧一致的嶄新的生態(tài)存在論美學觀。 生態(tài)美學對人類生存狀態(tài)進行哲學美學的思考,是對人類生態(tài)審美觀念反思的理論。美學是形而上之思,而不是形而下的探討。如果把生態(tài)美學當作實用美學來研究,只能降低生態(tài)美學研究的意義所在,也就不能在思想和觀念層面上來真正認識生態(tài)對于整個人類生命和我們美學研究的價值。生態(tài)美學應該以本體論作為研究的理論前提,以現(xiàn)象學哲學為主要方法論來源。 我們將生態(tài)美學觀奠定在馬克思唯物主義實踐觀的哲學基礎(chǔ)之上,同時借鑒吸收海德格爾存在論思想的一些有價值的因素,闡發(fā)馬克思沒有來得及充分展開的存在論思想的內(nèi)涵,使馬克思唯物主義實踐觀得到充分的展開和豐富。 生態(tài)美學研究可以幫助人們形成正確的生態(tài)審美觀,進而促使人們形成正確的生態(tài)價值觀。此外,生態(tài)美學研究在生態(tài)環(huán)境建設中可以起到指導作用。建設一個適宜于人們居住、生活、工作的優(yōu)美環(huán)境,始終是生態(tài)環(huán)境建設追求的目標。 本文分為五個部分: 第一部分,分析生態(tài)美學思想發(fā)生的后現(xiàn)代背景。 第二部分,對生態(tài)美學思想所處的現(xiàn)實環(huán)境進行闡述。 第三部分,對本文所論述的生態(tài)美學予以定位,以便能夠把握本文是在何種意義、何種理解以及何種語境下使用生態(tài)美學概念的。 第四部分,論述生態(tài)美學的哲學觀照:以馬克思唯物主義實踐觀中的存在論維度為基礎(chǔ),適當吸收海德格爾存在論的合理成分。 第五部分,分別從理論以及實踐兩方面論述生態(tài)美學發(fā)生的意義。
[Abstract]:The thought of ecological aesthetics is produced under the background of the survival crisis of human beings and the whole earth. It is a kind of philosophical thought and value concept which is based on the reality of nature, the reality of society and the academic reality, which accords with the contemporary ideological situation and the trend of historical development. Ecological aesthetics regards harmony as the highest aesthetic form, which is not only realistic harmony, but also spiritual harmony. The profound connotation of ecological aesthetics is the humanistic spirit which contains the content of the new times, and it is a new aesthetic view of ecological ontology in which man and nature and society achieve dynamic balance and harmony. It is a theory to reflect on the concept of human ecological aesthetics that ecological aesthetics thinks about the state of human existence. Aesthetics is metaphysical thinking, not metaphysical discussion. If ecological aesthetics is studied as practical aesthetics, the significance of ecological aesthetics research can only be reduced, and the value of ecology to human life and our aesthetic research can not be truly understood at the ideological and conceptual level. Ecological aesthetics should take ontology as the theoretical premise and phenomenological philosophy as the main methodological source. We lay the view of ecological aesthetics on the philosophical basis of Marx's materialist view of practice, and draw lessons from some valuable factors that absorb Heidegger's existentialism thought, and explain the connotation of Marx's existentialism thought that Marx did not have time to fully expand, so that Marx's materialistic view of practice can be fully expanded and enriched. The study of ecological aesthetics can help people form correct ecological aesthetics, and then promote people to form correct ecological values. In addition, the study of ecological aesthetics can play a guiding role in the construction of ecological environment. It is always the goal of ecological environment construction to build a beautiful environment suitable for people to live, live and work. This paper is divided into five parts: the first part analyzes the postmodern background of ecological aesthetics. The second part expounds the realistic environment of ecological aesthetics. In the third part, the ecological aesthetics discussed in this paper is positioned in order to grasp the meaning, understanding and context of the concept of ecological aesthetics. The fourth part discusses the philosophical view of ecological aesthetics: based on the existential dimension of Marx's materialist view of practice, the reasonable components of Heidegger's existentialism are properly absorbed. The fifth part discusses the significance of ecological aesthetics from both theoretical and practical aspects.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：B83

【引證文獻】

相關(guān)碩士學位論文 前2條

1 王艷麗;曾繁仁生態(tài)美學思想哲學基礎(chǔ)研究[D];沈陽師范大學;2011年

2 劉倩;基于生態(tài)美學思想的城市濱水區(qū)設計與研究[D];湖南大學;2010年

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本文編號：2511795