【摘要】：以生態(tài)美學(xué)的視野來探究貴州苗侗民族原生態(tài)審美文化,從中會發(fā)現(xiàn)潛藏在民族文化下的諸多生態(tài)智慧及審美理念,這可通過苗侗民族的節(jié)日、服飾、歌舞及喪葬等形式表現(xiàn)出來。這些形態(tài)無不滲透著獨(dú)特的生態(tài)美,正是這些生態(tài)美構(gòu)成了苗侗民族原生態(tài)審美文化的基質(zhì),而這些生態(tài)美又是以和諧為其核心,以苗侗民族原生態(tài)審美文化的豐富多樣性、動態(tài)平衡性及自娛樂生性為其表現(xiàn)形態(tài)的。并在此基礎(chǔ)上提出,在生態(tài)美學(xué)進(jìn)行學(xué)理構(gòu)建時應(yīng)當(dāng)對少數(shù)民族審美文化有所關(guān)注和借鑒。
[Abstract]:From the perspective of ecological aesthetics, this paper probes into the original ecological aesthetic culture of Miao and Dong nationalities in Guizhou, from which we can find many ecological wisdom and aesthetic ideas hidden under the national culture, which can be manifested through the festivals, costumes, songs and dances and funerals of the Miao and Dong nationalities. All these forms permeate the unique ecological beauty, which constitutes the matrix of the original ecological aesthetic culture of the Miao and Dong nationalities, and these ecological beauty takes harmony as its core, and takes the rich diversity, dynamic balance and self-entertainment nature of the original ecological aesthetic culture of the Miao and Dong nationalities as its manifestation. On this basis, it is put forward that we should pay attention to and draw lessons from the aesthetic culture of ethnic minorities in the theoretical construction of ecological aesthetics.
【作者單位】： 貴州師范大學(xué)文學(xué)院;
【基金】：貴州師范大學(xué)學(xué)生科研基金重點(diǎn)項目。本課題主持人:楊昌鑫;成員:羅娜、朱蕾、鄒立春、康俠
【分類號】：B83
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本文編號：2505035