舒斯特曼新實用主義藝術(shù)思想研究
發(fā)布時間：2019-04-26 02:18
【摘要】：作為當前美國新實用主義的先鋒式人物，美國亞特蘭大大學(xué)人文學(xué)院與哲學(xué)系主任理查德·舒斯特曼(Richard Shusterman)的名字，無疑成為當代美學(xué)界最為活躍的姓名之一。在詹姆斯、杜威等古典實用主義者的美學(xué)思想的基礎(chǔ)上，舒斯特曼將其整合取精，加之個人創(chuàng)新，對分析美學(xué)和解構(gòu)主義美學(xué)這兩大學(xué)派進行解構(gòu)吸收，研究領(lǐng)域延伸到流行藝術(shù)和日常生活在內(nèi)的廣闊的審美經(jīng)驗范圍內(nèi)，形成了自己獨特的新一代的新實用主義美學(xué)思想。 在本文中，，筆者嘗試通過對理查德·舒斯特曼教授的有關(guān)譯著研讀及對國內(nèi)外研究的梳理，可以相對完整的將舒斯特曼新實用主義藝術(shù)思想表現(xiàn)出來，以求可以達到分析新實用主義藝術(shù)思想，其主要目的在于通過對理查德·舒斯特曼新實用主義美學(xué)藝術(shù)思想對藝術(shù)進行重新思考，從而進一步分析新實用主義美學(xué)在這其中對中國傳統(tǒng)美學(xué)及當代文化藝術(shù)發(fā)展的功能效用。
[Abstract]:As an avant-garde figure of American neo-pragmatism, Richard Schusterman, director of the Faculty of Humanities and philosophy at Atlanta University, has undoubtedly become one of the most active names in contemporary aesthetics. On the basis of the aesthetic thoughts of classical pragmatists such as James Dewey and so on, Schusterman absorbed the two major schools of analytical aesthetics and deconstructionism aesthetics by combining the integration and refinement, together with personal innovation, and the two major schools of aesthetics: analytical aesthetics and deconstructionism aesthetics. The research field extends to the broad aesthetic experience of pop art and daily life, and forms its own new generation of new pragmatism aesthetic thought. In this paper, the author attempts to study the translation of Professor Richard Schusterman and comb the domestic and foreign studies, so as to show Schusterman's new pragmatism artistic thought relatively intact. In order to analyze the new pragmatism art thought, its main purpose is to rethink the art through Richard Schusterman's new pragmatism aesthetic art thought. Thus, it further analyzes the functional utility of neo-pragmatism aesthetics to the development of Chinese traditional aesthetics and contemporary culture and art.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：B83-069
本文編號：2465671
[Abstract]:As an avant-garde figure of American neo-pragmatism, Richard Schusterman, director of the Faculty of Humanities and philosophy at Atlanta University, has undoubtedly become one of the most active names in contemporary aesthetics. On the basis of the aesthetic thoughts of classical pragmatists such as James Dewey and so on, Schusterman absorbed the two major schools of analytical aesthetics and deconstructionism aesthetics by combining the integration and refinement, together with personal innovation, and the two major schools of aesthetics: analytical aesthetics and deconstructionism aesthetics. The research field extends to the broad aesthetic experience of pop art and daily life, and forms its own new generation of new pragmatism aesthetic thought. In this paper, the author attempts to study the translation of Professor Richard Schusterman and comb the domestic and foreign studies, so as to show Schusterman's new pragmatism artistic thought relatively intact. In order to analyze the new pragmatism art thought, its main purpose is to rethink the art through Richard Schusterman's new pragmatism aesthetic art thought. Thus, it further analyzes the functional utility of neo-pragmatism aesthetics to the development of Chinese traditional aesthetics and contemporary culture and art.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：B83-069
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本文編號：2465671
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