【摘要】：克羅齊，意大利著名哲學(xué)家、美學(xué)家、文學(xué)批評(píng)家。他的表現(xiàn)主義美學(xué)理論的核心是“直覺即表現(xiàn)，表現(xiàn)即藝術(shù)”。美學(xué)向來是長(zhǎng)在哲學(xué)之上的艷麗花朵，，因此，首先從探詢克羅齊美學(xué)思想的理論淵源入手，主要討論了三個(gè)重要人物對(duì)克羅齊的影響，他們是維柯、康德、黑格爾�？肆_齊把精神作為世界的本原，他認(rèn)為只有經(jīng)過心靈掌握的，才是現(xiàn)實(shí)的。心靈的活動(dòng)就是全部的現(xiàn)實(shí)，世界上惟有精神存在，精神創(chuàng)造了一切，因此，克羅齊把自己的哲學(xué)稱為“精神哲學(xué)”。在精神哲學(xué)基礎(chǔ)上，克羅齊建立起他的龐大的美學(xué)理論體系�？肆_齊從其核心論點(diǎn)“直覺即表現(xiàn)”出發(fā)，給直覺下了定義，通過直覺與感受、知覺的比較，得出直覺的特點(diǎn)，直覺是抒情的表現(xiàn)，直覺就是美，直覺就是藝術(shù)，藝術(shù)的創(chuàng)造和欣賞是統(tǒng)一的。他肯定了藝術(shù)不是物理事實(shí)、不是功利活動(dòng)，不是道德活動(dòng)，也不是概念和邏輯活動(dòng)，同時(shí)指出藝術(shù)是不可以分類的。那么，克羅齊從肯定與否定中，使自己的“直覺即表現(xiàn)”得到了界說。本文還將散落在其著作中的一些重要觀點(diǎn)作了簡(jiǎn)單歸納，如自由美與非自由美的問題以及批評(píng)與藝術(shù)史的問題�？肆_齊的表現(xiàn)主義美學(xué)思想是非常復(fù)雜和豐富的，合理因素與片面因素往往是摻合在一起的，本文對(duì)克羅齊美學(xué)思想作了簡(jiǎn)要評(píng)價(jià)。可以看到，克羅齊美學(xué)思想對(duì)中國與西方都產(chǎn)生了深遠(yuǎn)的影響，具有現(xiàn)實(shí)的當(dāng)代意義。
[Abstract]:Croce is a famous Italian philosopher, aesthetician and literary critic. The core of his expressionist aesthetic theory is "intuition is expression, expression is art". Aesthetics has always been a beautiful flower on the basis of philosophy. Therefore, starting with the theoretical origin of Croce's aesthetic thought, this paper mainly discusses the influence of three important figures on Croce, they are Vico, Kant and Hegel. Croce regards the spirit as the origin of the world. The activity of the soul is the whole reality. In the world, only the spirit exists and the spirit creates everything. Therefore, Croce calls his philosophy "spiritual philosophy". On the basis of spiritual philosophy, Croce established his huge aesthetic theory system. From his core argument, "intuition is expression", Croce defines intuition. Through the comparison of intuition and feeling, perception, the characteristics of intuition are obtained. Intuition is lyrical expression, intuition is beauty, intuition is art. The creation and appreciation of art are unified. He affirmed that art is not a physical fact, not a utilitarian activity, a moral activity, nor a conceptual and logical activity, and pointed out that art cannot be classified. So, Croce from the positive and negative, so that his "intuition that performance" has been defined. This paper also makes a brief summary of some important viewpoints scattered in his works, such as the issues of free beauty and non-free beauty, as well as the problems of criticism and art history. Croce's expressionist aesthetic thought is very complex and rich. Reasonable factors and one-sided factors are often mixed together. This paper makes a brief evaluation of Croce's aesthetic thought. It can be seen that Croce's aesthetic thought has a profound influence on both China and the West and has realistic contemporary significance.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：B83

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