王夫之現(xiàn)量說(shuō)美學(xué)的闡釋學(xué)解讀
發(fā)布時(shí)間:2018-12-29 17:51
【摘要】:王夫之把現(xiàn)量這個(gè)相宗術(shù)語(yǔ)轉(zhuǎn)化為一個(gè)美學(xué)概念,并以之構(gòu)成了他豐富的美學(xué)思想的重要基礎(chǔ)。在這個(gè)基礎(chǔ)上,他提出了一系列有解放意義和革命性的闡釋原則,,對(duì)中國(guó)古典美學(xué)具有較大突破,并與西方現(xiàn)代闡釋學(xué)美學(xué)的部分觀點(diǎn)相印合。
[Abstract]:Wang Fuzhi transformed the term "present quantity" into an aesthetic concept, which formed the important basis of his rich aesthetic thought. On this basis, he put forward a series of liberating and revolutionary principles of interpretation, which made a great breakthrough in Chinese classical aesthetics and coincided with some viewpoints of western modern hermeneutical aesthetics.
【作者單位】: 山東大學(xué)文學(xué)院!山東濟(jì)南250100
【分類(lèi)號(hào)】:B83-09
[Abstract]:Wang Fuzhi transformed the term "present quantity" into an aesthetic concept, which formed the important basis of his rich aesthetic thought. On this basis, he put forward a series of liberating and revolutionary principles of interpretation, which made a great breakthrough in Chinese classical aesthetics and coincided with some viewpoints of western modern hermeneutical aesthetics.
【作者單位】: 山東大學(xué)文學(xué)院!山東濟(jì)南250100
【分類(lèi)號(hào)】:B83-09
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