經(jīng)驗(yàn)主義、感官與美學(xué)的現(xiàn)代性——中世紀(jì)美學(xué)視野下的博克《崇高與美》
發(fā)布時(shí)間：2018-11-22 20:39
【摘要】：國(guó)內(nèi)學(xué)界對(duì)博克的《崇高與美》并不陌生,但是博克美學(xué)研究的進(jìn)展仍不太夠,并且大多數(shù)情況下僅局限于博克對(duì)崇高的論述。事實(shí)是,博克美學(xué)思想形成的一個(gè)重要方面,是建立于對(duì)中世紀(jì)美學(xué)傳統(tǒng)的批判之上的,這尤其體現(xiàn)在該書(shū)第三卷論美的前半部分中。比例、合適、完滿都是中世紀(jì)經(jīng)院美學(xué)的核心概念,并作為一份遺產(chǎn)一直留傳到博克的時(shí)代。博克從洛克的經(jīng)驗(yàn)主義哲學(xué)出發(fā),在對(duì)象的一面批判了傳統(tǒng)認(rèn)為的美的對(duì)象所應(yīng)具有的質(zhì),在主體的一面又批判了傳統(tǒng)上認(rèn)為的領(lǐng)會(huì)美所需要的認(rèn)識(shí)能力,并由此建立了基于身體的五種感官之快樂(lè)的美學(xué)。這種美學(xué)與政治和大眾有著密切關(guān)系,暗含了現(xiàn)代性的特征。Aesthetica,或按照博克所言"品味的邏輯"一名在十八世紀(jì)的提出,也許不僅如鮑姆加登所言是為了科學(xué)體系的完整,而且有其隱匿的歷史政治因素。
[Abstract]:The scholars in China are no stranger to Bok's "Noble and Beauty", but the progress of his aesthetic research is still not enough, and in most cases it is confined to his exposition of sublimity. The fact is that an important aspect of the formation of Burke's aesthetic thought is based on the criticism of the medieval aesthetic tradition, especially in the first half of the third volume of the book on beauty. Proportionality, appropriateness, perfection are the core concepts of medieval aesthetics, and as a legacy, they were passed on to Burke's time. Starting from Locke's empiricism philosophy, Booker criticizes the quality of the traditional beauty object on the object side and the cognitive ability that is traditionally believed to be necessary to understand the beauty on the subject side. Thus, the aesthetics of happiness based on the five senses of the body is established. This aesthetics is closely related to politics and the general public, implying the character of modernity. Aesthetica, or "logic of taste", as Burke put it, was proposed in the eighteenth century, perhaps not just for the sake of the integrity of the scientific system, as Baum Gadden put it. And there are hidden historical and political factors.
【作者單位】： 復(fù)旦大學(xué)中文系;法國(guó)雷恩二大;
【分類號(hào)】：B83-091
本文編號(hào)：2350527
[Abstract]:The scholars in China are no stranger to Bok's "Noble and Beauty", but the progress of his aesthetic research is still not enough, and in most cases it is confined to his exposition of sublimity. The fact is that an important aspect of the formation of Burke's aesthetic thought is based on the criticism of the medieval aesthetic tradition, especially in the first half of the third volume of the book on beauty. Proportionality, appropriateness, perfection are the core concepts of medieval aesthetics, and as a legacy, they were passed on to Burke's time. Starting from Locke's empiricism philosophy, Booker criticizes the quality of the traditional beauty object on the object side and the cognitive ability that is traditionally believed to be necessary to understand the beauty on the subject side. Thus, the aesthetics of happiness based on the five senses of the body is established. This aesthetics is closely related to politics and the general public, implying the character of modernity. Aesthetica, or "logic of taste", as Burke put it, was proposed in the eighteenth century, perhaps not just for the sake of the integrity of the scientific system, as Baum Gadden put it. And there are hidden historical and political factors.
【作者單位】： 復(fù)旦大學(xué)中文系;法國(guó)雷恩二大;
【分類號(hào)】：B83-091
【相似文獻(xiàn)】
相關(guān)期刊論文 前3條
1 董小玉;博克論崇高與美[J];云南師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1995年01期
2 董志剛;;博克崇高理論的淵源[J];文藝?yán)碚撗芯?2009年02期
3 章輝;博克康德崇高論[J];湖北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2001年01期
，本文編號(hào)：2350527
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