【摘要】：暖男與禁欲系的性別話語所顯示的審"美"轉(zhuǎn)向,敢于嘗試對男性形象的美學(xué)意義進(jìn)行重新定義,這是一種較于傳統(tǒng)女性主義的重大突破。然而,這種美的定義并不是以女性為主體主動提出的,而是形象工業(yè)的審美控制,是資本所塑造的預(yù)言與男色消費(fèi),由此造成生活世界的殖民化、個(gè)體的偽個(gè)性化與虛假意識的發(fā)展,這些都是現(xiàn)代社會所不可避免的時(shí)代隱喻。但是從暖男符號到禁欲系話語的認(rèn)同轉(zhuǎn)變和互文性,也顯示出形象工業(yè)與男色消費(fèi)為女性群體突破男權(quán)話語而提供的性別操演意義和過程。因而,只有以化被動為主動的自我覺察為方式,以塑造審美判斷的共通感為原則,才能使審美判斷脫離形象工業(yè)的話語建構(gòu)與群體本身的利害關(guān)系,才能將女性主體從以形象工業(yè)為中心的審美共識返回到主體間的相互確認(rèn)與共識上,使其重新掌握對審美判斷的話語權(quán)和主導(dǎo)權(quán),消弭性別區(qū)隔,形成政治聯(lián)盟。
[Abstract]:The sexual discourse of warm-male and abstinence shows a "beauty" turn and dares to try to redefine the aesthetic meaning of male image, which is a great breakthrough compared with traditional feminism. However, the definition of this kind of beauty was not put forward on the initiative of women, but the aesthetic control of image industry, the prophecies and male consumption created by capital, which resulted in the colonization of the world of life. The development of individual pseudo-personalization and false consciousness are inevitable metaphors in modern society. However, the transformation of identity and intertextuality from warm male symbols to abstinence discourse also shows the significance and process of gender performance provided by image industry and male consumption for women to break through male discourse. Therefore, only by taking passive self-awareness as a way and shaping the common sense of aesthetic judgment as the principle, can aesthetic judgment be separated from the discourse construction of image industry and the interest of the group itself. Only then can the female subject return from the aesthetic consensus centered on the image industry to the mutual confirmation and consensus among the subjects, so that they can grasp the right to speak and lead the aesthetic judgment again, eliminate the gender division and form a political alliance.
【作者單位】： 福建師范大學(xué);
【基金】：2012年國家社科基金一般項(xiàng)目“多元文化環(huán)境下大學(xué)生價(jià)值導(dǎo)向”(編號:12BKS077)階段性成果
【分類號】：B83
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本文編號：2291999