【摘要】：作為視覺審美的常態(tài)對象,身體在"視覺轉(zhuǎn)向"及其形構(gòu)的現(xiàn)代審美機(jī)制中發(fā)生了多元嬗變。一方面,現(xiàn)代視覺機(jī)制深度消解了傳統(tǒng)"身心二元"的既定內(nèi)涵,強(qiáng)化了現(xiàn)代個(gè)體的身體意識,在提升身體審美旨趣的同時(shí)孕化了身體的資本效應(yīng),拓展了身體的消費(fèi)表征,催生了"身體消費(fèi)"的美學(xué)實(shí)踐;另一方面,借助現(xiàn)代視覺傳媒的技術(shù)支撐,現(xiàn)代視覺機(jī)制使權(quán)力對身體的規(guī)制更趨隱性,它造就了現(xiàn)代社會對身體的過度迷戀與膜拜,并營造了一種普泛的社會"窺視欲",在促進(jìn)身體審美多元化的同時(shí)又衍生了普遍的身體焦慮。由此造成的身體的在場效應(yīng)與精神意義的消解成為現(xiàn)代社會身體美學(xué)的又一話題。
[Abstract]:As the normal object of visual aesthetics, the body has changed in the modern aesthetic mechanism of "visual turn" and its shape. On the one hand, the modern visual mechanism deeply dispels the established connotation of the traditional "body and mind duality", strengthens the body consciousness of modern individuals, promotes the aesthetic purport of the body at the same time as the capital effect of the body, and expands the consumption representation of the body. On the other hand, with the technical support of modern visual media, modern visual mechanism makes the power to regulate the body more recessive, which leads to the excessive infatuation and worship of the body in modern society. And created a kind of universal social "snooping desire", which promoted the body aesthetic diversity and derived the universal body anxiety at the same time. The effect of physical presence and the elimination of spiritual significance have become another topic of body aesthetics in modern society.
【作者單位】： 安徽農(nóng)業(yè)大學(xué)人文社會科學(xué)學(xué)院;
【基金】：安徽省高校優(yōu)秀青年人才支持計(jì)劃重點(diǎn)項(xiàng)目[項(xiàng)目編號:gxyqZ D2016030] 安徽省哲學(xué)社會科學(xué)規(guī)劃項(xiàng)目“明清新安刻本中的圖像傳播機(jī)制研究”[項(xiàng)目編號:AHSKQ2016D132]的階段性成果
【分類號】：B83-06
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本文編號：2265605