本文關(guān)鍵詞：舞蹈美學(xué)漫談，由筆耕文化傳播整理發(fā)布。

舞蹈美學(xué)

２００９年第１期　　　　北京舞蹈學(xué)院學(xué)報(bào)

［２００９藝術(shù)學(xué)沙龍］

舞蹈美學(xué)漫談

彭吉象１　　呂藝生２　　平　　心３

8

（１．　北京大學(xué)，北京１０００８６；２、３．　北京舞蹈學(xué)院，北京１０００８１）

【內(nèi)容提要】隨著本刊近兩年“藝術(shù)學(xué)沙龍”欄目的開辟與進(jìn)展，２００９年１月３０日（即農(nóng)歷正月初五），在香山 四季御園又迎來了第三次學(xué)術(shù)交流活動，出席這次活動的專家學(xué)者有：北京大學(xué)藝術(shù)學(xué)院常務(wù)副院長彭吉象教授、北京舞蹈學(xué)院呂藝生教授和平心教授，另有部分教師和研究生參加了記錄整理工作。本次沙龍的主題是“舞蹈美學(xué)”。談話首先涉及舞蹈美學(xué)的本體論和方法論問題；其次探討了法國新古典主義及啟蒙運(yùn)動與芭蕾舞和舞蹈美學(xué)的關(guān)系問題；最后討論了德國古典美學(xué)及浪漫主義與舞蹈美學(xué)的關(guān)系問題。內(nèi)容涉及舞蹈的敘事與抒情的歷史，再現(xiàn)主義與表現(xiàn)主義的關(guān)系，寫實(shí)主義與浪漫主義的問題等。對舞蹈創(chuàng)作與批評可提供理論依據(jù)和參考標(biāo)準(zhǔn)。

【關(guān)鍵詞】舞蹈美學(xué)；舞蹈本體論；舞蹈方法論；古曲主義；浪漫主義；表現(xiàn)主義【中圖分類號】J702 　　　【文獻(xiàn)標(biāo)識碼】A　　　　【文章編號】1008-2018(2009)01-0008-09

On Dance Aesthetics

Peng Jixiang1, Lu Yisheng2, Ping Xin3

(1. Peking University, Beijing 100086, China; 2.3. Beijing Dance Academy, Beijing 100081 China)

Abstract: With the introduction and development of the Column Science of Art Salon in Journal of Beijing DanceAcademy in the past 2 years, the third academic activity was held in Sijiyuyuan of Fragrant Hill on January 30th 2009,(5th of the first lunar month). Those present included experts and scholars such as professor Peng Jixiang, the vicepresident of the Art Academy of Beijing University, Lv Yisheng and Ping Xin, professors of the Beijing Dance Academy,together with some teachers and postgraduate students. The theme of the Salon is dance aesthetics. The discussion startedfrom major problems concerning the ontology and methodology of dance aesthetics, followed by exploration of theimpact of French neo-classic and Enlightenment on Ballet and dance aesthetics. Finally how German classical aestheticsand romanticism are related to dance aesthetics is discussed at the meeting. The discussion also involves wide ranges ofproblems such as history of dance narration and dance lyricism, representationism and expressionism, realism andromanticism, etc. This activity is aimed at providing theoretical basis and standards for the dance creation and criticism.The discussion is taken down in writing and published as usual for our readers.

Key words: dance aesthetics; dance ontology; dance methodology; classicismi; romanticism; expressionism

【作者簡介】彭吉象，男，北京大學(xué)藝術(shù)學(xué)院常務(wù)副院長，教授，博士生導(dǎo)師；呂藝生，，男，北京舞蹈學(xué)院教授，原北京舞蹈學(xué)院院長，碩士研究生導(dǎo)師；平心，男，北京舞蹈學(xué)院教授，本刊常務(wù)副主編，碩士研究生導(dǎo)師。本文執(zhí)筆整理者簡介：湯旭梅：北京聯(lián)合大學(xué)舞蹈學(xué)副教授；劉丹：北京大學(xué)藝術(shù)學(xué)院舞蹈美學(xué)研究生；白瑜瓊：北京舞蹈學(xué)院舞蹈教育學(xué)研究生。

  本文關(guān)鍵詞：舞蹈美學(xué)漫談，由筆耕文化傳播整理發(fā)布。