【摘要】：在２０世紀(jì)的西方美學(xué)中，法國(guó)美學(xué)占有十分重要的地位。柏格森、梅洛－龐蒂、薩特、列維－斯特勞斯、羅蘭·巴特、杜夫海納、加繆都是廣具影響的美學(xué)家。新托馬斯主義美學(xué)的主要代表馬利坦（１８８２－１９７３年）和吉爾松（１８８４－１９７８年）都是法國(guó)人。但是，還很少有人把他們的美學(xué)思想作為專門的研究對(duì)象。本文是南京東南大學(xué)藝術(shù)學(xué)系凌繼堯教授在俄期間與俄羅斯科學(xué)院哲學(xué)所美學(xué)室主任多爾戈夫的談話，談話的內(nèi)容是馬利坦和吉爾松的美學(xué)思想。
[Abstract]:In the 20 th century western aesthetics, French aesthetics occupies a very important position. Bergson, Melo Ponty, Sartre, Levi Strauss, Roland Bart, Dufheiner, Camus are all influential aestheticians. Maritain (1882-1973) and Gilson (1884-1978), the main representatives of Neo-Thomas Aesthetics, are French. However, few people regard their aesthetic thought as the special research object. This paper is a conversation between Professor Ling Jiyao, Department of Art, Southeast University of Nanjing, and Dolgov, director of the Aesthetics Department of the Institute of philosophy of the Russian Academy of Sciences, during his stay in Russia. The content of the conversation is the aesthetic thoughts of maritain and Gilson.
【分類號(hào)】：B83-06

【相似文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 張志慶;托馬斯·阿奎那美學(xué)思想研究[D];山東大學(xué);2006年

，

本文編號(hào)：2149031