發(fā)布時間：2018-07-10 01:47

  本文選題：極簡主義 + 審美態(tài)度��； 參考：《文藝爭鳴》2016年04期

【摘要】：正一、審美經(jīng)驗與審美態(tài)度何為審美經(jīng)驗?傳統(tǒng)答案視審美經(jīng)驗與某種邏輯上在前的精神狀態(tài)密切相關(guān),這種精神狀態(tài)被稱為審美態(tài)度(aesthetic attitude)。審美態(tài)度先于審美經(jīng)驗,在一定場合當(dāng)中,享受到審美經(jīng)驗是因為采取了某種審美態(tài)度。在無視、壓制諸如實用性、焦慮、渴求之類精神狀態(tài)或曰心境的時候,為了維系自身,審美態(tài)度被理解為某種消除物,或者說,它至少是阻止式的。(1)審美態(tài)度能敏銳地感知
[Abstract]:First, what is aesthetic experience and aesthetic attitude? The traditional answer regards aesthetic experience as closely related to some logically preceding mental state, which is called the aesthetic attitude (aesthetic attitude). Aesthetic attitude precedes aesthetic experience. In a certain situation, aesthetic experience is enjoyed because of a certain aesthetic attitude. While ignoring, suppressing mental states such as practicality, anxiety, desire, or state of mind, aesthetic attitudes are understood, in order to maintain themselves, as something that eliminates something, or at least prevents it. (1) Aesthetic attitudes are acutely perceptive.
【作者單位】： 美國馬里蘭大學(xué);浙江師范大學(xué)人文學(xué)院;
【分類號】：B83-0
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本文編號：2111544