本文選題：陰陽兩儀 + 思想范式　； 參考：《華中師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2007年03期

【摘要】：在東方文化和美學(xué)觀念中,“陰陽兩儀”是一個(gè)極其重要的理論范疇和文化命題。它所反映的不僅僅是一種東方式、中國式的宇宙觀念和人生哲學(xué),而且也反映了一種東方式、中國式的美學(xué)思想范式。其美學(xué)意涵主要有四:一是“耦兩”美觀念,即強(qiáng)調(diào)在相反相對的兩種矛盾因素之間思考美、創(chuàng)造美;二是“中和”美意識,即講究在兩兩相對的矛盾因素之間實(shí)現(xiàn)均衡持中、不偏不倚的和諧之美。其核心范疇是“中”。三是“剛?cè)帷泵览硐?既講究陽剛與陰柔這兩種審美理想之間的相成相濟(jì),又有偏重陰柔之美的趨向。四是“虛實(shí)”美境界,在陰與虛、陽與實(shí)的對應(yīng)中,既強(qiáng)調(diào)虛與實(shí)之間的互用相生,又講究以虛為體、以實(shí)為用,從而推動(dòng)“意境”美學(xué)理論走向成熟。
[Abstract]:In oriental culture and aesthetics, "Yin and Yang" is an extremely important theoretical category and cultural proposition. It reflects not only a kind of eastern way, Chinese concept of universe and philosophy of life, but also a kind of eastern way, Chinese style of aesthetic thought paradigm. There are four main aesthetic implications: first, the concept of "coupling two" beauty, that is, emphasizing on thinking about beauty and creating beauty between opposite and opposite contradictory factors; second, "neutralizing" the sense of beauty, that is, paying attention to achieving balance between two opposite contradictory factors. The beauty of unbiased harmony. Its core category is "middle". The third is the ideal of "rigid and soft" beauty, which not only emphasizes the complementary of masculine and feminine aesthetic ideals, but also tends to emphasize the beauty of yin and softness. Fourthly, the beauty realm of "deficiency and reality", in the correspondence of Yin and deficiency, Yang and reality, not only emphasizes the mutual use of deficiency and reality, but also stresses the essence as the body and the reality as the use, thus promoting the maturity of the aesthetic theory of "artistic conception".
【作者單位】： 山東大學(xué)文學(xué)與新聞傳播學(xué)院
【分類號】：B83

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