本文選題：尚“微”審美意識(shí) + 言不盡意　； 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：中國(guó)美學(xué)具有一種尚“微”審美意識(shí)。這種尚“微”審美意識(shí)在中國(guó)美學(xué)思想中占據(jù)著重要的地位,體現(xiàn)著中國(guó)美學(xué)的精神特色。在中國(guó)美學(xué)看來(lái),精巧、秀麗、典雅、飄逸中蘊(yùn)藉著一種不可名狀的“小”、“微”、“精”、“細(xì)”之美,這種“美”本質(zhì)上是一種至大至純之美,只可意會(huì)不可言說(shuō)。因此,唯有“小中見(jiàn)大”的審美呈現(xiàn)形態(tài),才能表無(wú)限于有限。受尚“微”審美意識(shí)的影響,在中國(guó)美學(xué)看來(lái),在藝術(shù)呈現(xiàn)形態(tài)方面,不在于大,而更在于小中見(jiàn)大,微中顯精,愈小而大。精微的藝術(shù)形態(tài),玲瓏剔透,惟妙惟肖,往往可將宇宙大千收于纖毫之間,詮釋著審美者自己的人生,虛實(shí)相映,揮灑自然,細(xì)膩精粹,如神來(lái)之筆,心到、意到、細(xì)心、靜心,是審美者瞬間心境對(duì)宇宙生命及其內(nèi)涵體悟的呈現(xiàn)�；诖�,本論文四個(gè)部分,從中國(guó)美學(xué)尚“微”意識(shí)與“言意”說(shuō)、尚“微”審美意識(shí)的特性與表征、“微”之審美意旨辨析、尚“微”審美意識(shí)的學(xué)理淵淵源等方面著手,以考察與闡釋中國(guó)美學(xué)尚“微”審美意識(shí),對(duì)其中所涉及到“言不盡意”、“微言大義”、“以小喻大”、“言近旨遠(yuǎn)”、“微塵大千”、“傳神寫意”、“言簡(jiǎn)意賅”、“微言精義”、“微文深詆”、“微顯闡幽”等命題與“道”論,進(jìn)行深入解讀,通過(guò)此,企望對(duì)尚“微”審美意識(shí)有一個(gè)更加清晰的認(rèn)識(shí),并致使尚“微”審美意識(shí)在當(dāng)今具有中國(guó)特色的美學(xué)體系建構(gòu)中得以進(jìn)一步發(fā)揚(yáng)。
[Abstract]:Chinese aesthetics has a kind of "micro" aesthetic consciousness. This aesthetic consciousness occupies an important position in Chinese aesthetic thought and embodies the spiritual characteristics of Chinese aesthetics. In Chinese aesthetics, delicacy, beauty, elegance and elegance contain an indescribable beauty of "small", "micro", "fine" and "fine". Therefore, only the aesthetic appearance of "small and medium-sized" can express infinity in the limited. Influenced by the aesthetic consciousness of "micro", in the view of Chinese aesthetics, the form of artistic presentation lies not in the big, but in the small and medium, the smaller and the bigger. Exquisite artistic form, exquisite, vivid and vivid, can often close the universe between the big thousand, interpretation of the aesthetic of their own life, unreal reflection, showering nature, exquisite essence, such as the pen of God, heart, meaning, careful, Meditation is the appearance of the aesthetic instant state of mind to the cosmic life and its connotation. Based on this, the four parts of this paper, from the aspects of Chinese aesthetics, such as "micro-consciousness" and "speech and meaning", the characteristics and representations of aesthetic consciousness of "micro-", the aesthetic intention of" micro-", the origin of "micro-" aesthetic consciousness, etc. In order to investigate and explain the aesthetic consciousness of "micro" in Chinese aesthetics, it is concerned with "the meaning of speech is not enough", "the meaning of small words", "big with small metaphors", "great purport", "small dust", "freehand brushwork", "concise and comprehensive". The propositions and the theory of Tao, such as "fine speech", "slight scorn", "micro-exuberance and seclusion" and "Tao", are interpreted in depth. Through this, we hope to have a clearer understanding of the aesthetic consciousness that is still "micro". It also leads to the further development of "micro" aesthetic consciousness in the construction of aesthetic system with Chinese characteristics.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：B83-092

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