發(fā)布時間：2018-06-27 22:12

  本文選題：模特 + 時裝表演��； 參考：《四川師范大學》2012年碩士論文

【摘要】：時裝表演作為一種服裝動態(tài)展示的形式,自產生以來經過了六百多年的發(fā)展歷程,時至今日,已具有豐富的文化內涵和美學寓意。上世紀七十年代末,皮爾卡丹先生將時裝表演這種舞臺表演形式帶到中國,開啟了中國時裝表演藝術之門。經過三十多年的飛速發(fā)展,在本土文化與國際時尚相結合的今天,我國已形成了具有中國特色的時裝表演藝術。 本文旨在對模特在時裝舞臺上的表現(xiàn)進行探討,從美學的角度出發(fā)研究實際操作性較強的時裝表演藝術。緒論部分簡要的說明了研究時裝表演藝術的重要意義以及時裝表演藝術的理論研究現(xiàn)狀。正文分四大部分,第一部分從時裝表演藝術的起源和發(fā)展展開論述,按照目的和作用的不同,歸納出現(xiàn)代時裝表演靜態(tài)展示和動態(tài)展示的幾種形式以及各自的特征,從而提煉總結出時裝表演藝術逐漸形成了兼顧功利性和審美性、時效性、舞臺性的特點,為本研究提供了理論依據(jù)。第二部分探討了一個真正的時裝模特不僅要具備高挑的身材、和諧的身材比例等外在基本條件,還應努力提高自身的藝術素養(yǎng)與專業(yè)素養(yǎng),只有這樣,模特才能更好的理解服裝、傳達設計風格、展示時尚美感、提升舞臺魅力。第三部分從模特舞臺表現(xiàn)入手分析了時裝表演藝術中不同類型的美的特征,并指出時裝表演作為一種展示藝術和表演藝術的結合體,模特不僅要通過化妝技術、人物整體形象的塑造,在外形上達到與舞臺展示作品相呼應。而且需要在作品和表演中全情投入、尋找自我,從表演的“形到”上升到“神到”。通過傳神而獨到的表演,營造氛圍與觀眾進行良好的溝通,并在此基礎上融入表演作品,深入挖掘作品內涵,進行再創(chuàng)作或者創(chuàng)新,從而樹立鮮明的個人形象。并從塑造舞臺形象的角度出發(fā),將模特展示與演員表演進行對比,找到其共同之處,強調只有具備內外兼修的表演素質,能在短暫的時間內,通過自己肢體語言展示,引領觀眾情緒的模特,才能稱之為“優(yōu)秀”。第四部分從我國時裝表演藝術的實際情況出發(fā),對于各時期較為有代表性的模特形象和我國目前時裝表演藝術發(fā)展的現(xiàn)狀進行闡述�！皦乳_花墻外香”是目前模特行業(yè)發(fā)展的現(xiàn)狀,隨著國內經濟的發(fā)展和人們對時尚行業(yè)感悟能力的提高,更多的國內模特走出國門,向國際市場邁進。但相較國際模特市場,中國的模特事業(yè)還有待于進一步規(guī)范和提高,只有注重時裝表演者的內心建設、提高整體素質,在表演中發(fā)現(xiàn)美、體驗美,從精神層面理解美、傳播美,才能在服裝表演藝術中創(chuàng)造美,從而推動我國模特事業(yè)的發(fā)展。做有中國特色的演繹事業(yè)將是我們未來努力的方向。
[Abstract]:Fashion show, as a form of dynamic display of clothing, has been developed for more than 600 years since its emergence, and has rich cultural connotation and aesthetic implication. In the late 1970s, Mr. Piercadan brought fashion shows, a form of stage performance, to China, opening the door to Chinese fashion performing art. With the rapid development of more than 30 years and the combination of local culture and international fashion, the fashion performing art with Chinese characteristics has been formed in our country. The purpose of this paper is to discuss the performance of models on the fashion stage and to study the practical and practical performing art of fashion from the point of view of aesthetics. The introduction briefly explains the significance of the study of fashion performing art and the current situation of theoretical research on fashion performance art. The text is divided into four parts. The first part discusses the origin and development of fashion performing art. According to the difference of purpose and function, it concludes several forms and characteristics of static and dynamic display of modern fashion performance. So the fashion performing art gradually formed the characteristics of taking into account utilitarian, aesthetic, timeliness, stage, which provides a theoretical basis for this study. The second part discusses that a real fashion model should not only have a tall figure, harmonious body ratio and other external basic conditions, but also strive to improve their artistic literacy and professional literacy, only in this way, Models can better understand clothing, convey design style, show fashion aesthetic, enhance stage charm. The third part analyzes the characteristics of different types of beauty in fashion performing art from the perspective of model stage performance, and points out that fashion show as a combination of exhibition art and performing art, models should not only through makeup technology, The shaping of the overall image of the characters, in shape, and the stage of the exhibition works echo. In addition, we need to find ourselves in the works and performances, from the form of acting to the god. Through vivid and unique performance, to create a good atmosphere with the audience to communicate, and on this basis into the performance works, deeply explore the content of the work, re-creation or innovation, so as to set up a clear personal image. And from the perspective of shaping the image of the stage, compare the model display with the performance of the actors, find out what they have in common, and emphasize that only with both internal and external performance qualities can they be displayed through their own body language in a short period of time. The model that leads the audience mood, can call it "outstanding". The fourth part starts from the actual situation of our country's fashion performing art, and expounds the representative model image of each period and the present situation of the fashion performing art development in our country. With the development of domestic economy and the improvement of people's ability to understand the fashion industry, more and more domestic models go abroad and stride forward to the international market. However, compared with the international model market, China's modeling industry has yet to be further standardized and improved. Only by paying attention to the inner building of fashion performers, improving their overall quality, finding beauty in performances, experiencing beauty, understanding beauty from the spiritual level, and spreading beauty, In order to create beauty in costume performing art, thus promoting the development of China's modeling cause. Doing the deductive career with Chinese characteristics will be the direction of our future efforts.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：B83-0

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本文編號：2075450