本文選題：新時期美學(xué) + 形上思辨��； 參考：《山東社會科學(xué)》2008年11期

【摘要】：中國現(xiàn)代性美學(xué)真正走上從抽象到具體的科學(xué)研究和發(fā)展道路,是從建國之后。具體來說,建國之后的美學(xué)研究可細(xì)分為兩個時期:上世紀(jì)五、六十年代是中國美學(xué)真正走上理論抽象的時期,改革開放新時期以來則是逐漸走向具體的再現(xiàn)或綜合性具體化的時期。改革開放的歷史進程與社會境遇,使不同于既往的大量新的藝術(shù)、審美與人生問題涌現(xiàn)出來,而先前形成的美學(xué)觀念和研究范式又不能對之作出切實有效的解釋,致使舊有的理論在新的現(xiàn)實面前日漸顯示出其空疏不實的缺陷和無能為力的尷尬,因而轉(zhuǎn)向現(xiàn)實本身,從形上思辨轉(zhuǎn)向現(xiàn)實關(guān)懷,從對現(xiàn)實的時代思考中檢驗和發(fā)展舊有的理論,并在超越和改造舊有理論的基礎(chǔ)上提出新的理論觀點和學(xué)說,便成為近三十年中國美學(xué)研究的一種必然選擇。概括起來看,這一轉(zhuǎn)變主要體現(xiàn)在三個方面:一是轉(zhuǎn)向?qū)ξ乃噯栴}特別是大眾流行藝術(shù)的理論觀照,二是開始重視日常生活中的審美問題的理論研討,三是轉(zhuǎn)向?qū)徝琅c人生關(guān)系問題的人文思考與批評。從形上思辨到現(xiàn)實關(guān)懷的轉(zhuǎn)向大大拓展了美學(xué)研究的對象和領(lǐng)域,恢復(fù)了美學(xué)學(xué)科的人文特性,也使新時期美學(xué)研究體現(xiàn)出了與時代精神相契合的開放性特征,從而為新時期美學(xué)研究帶來種種新的氣象和景觀;與此同時,審美現(xiàn)實的發(fā)展和美學(xué)研究本身也已經(jīng)將一些新滋生的問題和矛盾推到美學(xué)研究者面前,需要認(rèn)真加以回應(yīng)和思考,并歷史地給予解釋和解決。
[Abstract]:Chinese modern aesthetics has been on the road of scientific research and development from abstract to concrete, since the founding of the people's Republic of China. Specifically, the aesthetic research after the founding of the people's Republic of China can be subdivided into two periods: the 1950s and 1960s were the periods when Chinese aesthetics really entered the theoretical abstraction. Since the new period of reform and opening up, it is gradually moving towards concrete reproduction or comprehensive concrete period. The historical process of reform and opening up and the social circumstances have made a large number of new arts, aesthetic and life problems emerge different from the past, but the aesthetic concepts and research paradigms formed before cannot give a practical and effective explanation to them. In the face of the new reality, the old theory gradually shows its empty defects and helpless embarrassment, thus turning to the reality itself, from the form of speculation to the reality care, It is an inevitable choice to test and develop the old theories from the thinking of the realistic times, and to put forward new theories and theories on the basis of surpassing and reforming the old theories, which has become an inevitable choice for the research of Chinese aesthetics in the past 30 years. To sum up, this change is mainly reflected in three aspects: first, turning to the theoretical view of literary and artistic problems, especially popular art, and second, beginning to attach importance to the theoretical study of aesthetic problems in daily life. Third, turn to the relationship between aesthetics and life of humanistic thinking and criticism. The turning from form thinking to realistic concern has greatly expanded the object and field of aesthetic research, restored the humanistic characteristics of aesthetic discipline, and made aesthetic research in the new period embody the open characteristics that are in line with the spirit of the times. At the same time, the development of aesthetic reality and aesthetic research itself have pushed some new problems and contradictions to aesthetic researchers. Need to seriously respond and think, and historically explain and solve.
【作者單位】： 山東大學(xué)文藝美學(xué)研究中心;
【基金】：教育部人文社會科學(xué)重點研究基地重大項目“文藝美學(xué)元問題與文藝美學(xué)學(xué)科體系建設(shè)研究”(項目批準(zhǔn)號:06JJD75011—44008)的成果之一
【分類號】：B83-0
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本文編號：1948199